• Look back: 'First Date' actors serenade patients on Valentine's Day

    by John Moore | May 01, 2018

    Video by John Moore and David Lenk for the DCPA NewsCenter

    The actors spread music and joy on what might have been a lonelier holiday for some patients at UCHealth

    We wanted to wait until DCPA Cabaret's recent extended hit musical First Date closed before we took you behind-the-scenes for a very special day of community outreach back on Valentine's Day.

    UC Health First Date Five cast members visited University of Colorado Hospital and performed excerpts from the show for patients, family members and staff in the UCHealth auditorium, followed by a Q&A with the audience and an autograph-signing.

    The actors then visited several patient rooms to spread cheer for those who were either isolated or not well enough to leave their rooms. When one respiratory patient mentioned her faith, cast member Cashelle Butler sang her an impromptu, a capella version of “How Great Thou Art.” For another patient, she sang Brandi Carlile’s “That Wasn’t Me.”  

    UCHealth 800 First Date John MooreThe other participating actors were Adriane Leigh Robinson, Seth Dhonau, Steven J. Burge and Jordan Leigh.

    "I think all of the cultural arts are a great way of healing and treating," said Heather Hogoboom, UCHealth's Manager of Corporate Partnerships. "We here at the hospital can help with the physical aspects, but music, art and performance bring a lot of joy, and we know that's part of the whole process to get better." 

    First Date, directed by Ray Roderick, closed on April 22 at the Garner Galleria Theatre. He has another new project, For the Love of George, that will play four performances in the Conservatory Theatre from May 3-11. (Call 303-893-4100.)


    Photo gallery: The making of First Date in Denver:


    The making of 'First Date' in Denver
    To see more photos, click on the image above to be taken to our full Flickr gallery. Photos by John Moore for the DCPA NewsCenter.

    More Colorado theatre coverage on the DCPA NewsCenter

    Previous NewsCenter coverage of First Date:
    For the Love of George: Meet Cupid's misfiring brother, George
    Video: Your 'First Date' with Director Ray Roderick
    Understudies talk about their unique role in First Date
    Video: Photos: Your first look at First Date
    Meet the all-local cast: More fun to read than any dating profile!
    Cashelle Butler visits Cherry Creek High School
  • Audiences are about to meet Cupid's misfiring brother, George

    by John Moore | Apr 27, 2018
    For The Love of George. James Hindman, Barbara Gehring, Ray Roderick and Linda Klein. Photo by John Moore.

    'For The Love of George' co-writers, from left: James Hindman, Barbara Gehring, Ray Roderick and Linda Klein on the Conservatory Theatre stage. Photo by John Moore for the DCPA NewsCenter.

    Denver Center audiences are being given the opportunity to witness first performances of For the Love of George

    By John Moore
    Senior Arts Journalist

    Denver Center audiences are being given a rare opportunity over two weekends in May to witness the first public performances of what is being called “a developmental staged reading” of an evolving new comedy written by a team that is responsible for some of the most successful productions in DCPA Cabaret history.

    And if Cupid’s aim is true, the promising new work will come out ready to be licensed for immediate productions around the country.

    Girls OnlyFor the Love of George is written by Barbara Gehring and Linda Klein of Girls Only (pictured right), which has been seen by more than 200,000 women (and a few token dudes) around North America; along with Ray Roderick and James Hindman, who write together and run a New York licensing company called Miracle or 2 Productions. Roderick’s Denver directing credits include the just-closed musical First Date (pictured below right), as well as The Last 5 Years, The Taffetas and the longest-running production in Denver theatre history, I Love You, You’re Perfect, Now Change. Hindman is a versatile New York actor who recently collaborated with Roderick on a new jukebox musical called The Bikinis.

    For the Love of George
    has been percolating for the past three years and across several states, ever since Roderick and Hindman took over worldwide bookings for Girls Only and realized Klein and Gehring are kindred comedy spirits.

    First Date Fall Casting Photo by Emily LozowTheir premise: Cupid is, of course, the God of Love. And George is, well …  Cupid’s less talented brother. While Cupid's arrows bring love, George's arrows do what normal arrows do. They hurt. “People actually feel George’s arrows,” Hindman said. So Zeus has banished George to Earth, where he must learn the true nature of love in all its joy, pain, messiness and inevitability before Zeus will allow him to come home. (By the way, George is 4,338 years old — so it’s taking him some time to get the hang of it.) 

    The comedy (with some original music) is set in a quirky, one-room mountain inn called Love Land. In the play, which takes place over several decades, we meet different  couples marching through the decades via the Love Land Inn. For example, we meet a hippie teenage couple from the 1960s, a couple that has been through a divorce, and young parents who are trying to get the romance back.

    “Over time, you start to see how love changes along with what is happening in the outside world,” Roderick said. “What do societal and cultural changes do to love and how people relate to each other? It's a little like Love, American Style  in that way."

    For those who might be intrigued to see the upcoming, first-ever performances, here are five quick things to know about For the Love of George:

    NUMBER 1Gone fishing. For the Love of George is one of those classic fish-out-of-water stories where the protagonist is outside of his natural environment. The creators say it’s right in line with movies such as Elf, Splash and, in particular, It's a Wonderful Life, where the wannabe angel Clarence is working for his wings. “We are all fans of that kind of underdog story,” Gehring said. Roderick also said Buster Keaton was an inspiration for George. “He was the silent-movie guy who is always trying to figure things out,” he said. "There is also a wonderful, childlike curiosity to George.”

    NUMBER 2

    So is this a musical or what? What. The creators are calling For the Love of George a comedy with music because, while they have written some original music for the show, “the story isn't really told through the music,” Klein said. Roderick calls the work “a wonderful hybrid: A play that has the rhythm of a musical." That’s intentional, he added, so that the piece eventually can be performed in venues that typically house either a play or a musical.

    NUMBER 3

    Who is the intended audience? From the start, the creators imagined For the Love of George to be a date-night out, and that the wide swath of both time and generations covered in the story should appeal to a variety of  audiences. "This show will have accessible, across-the-board appeal,” Roderick said. But while the show is meant to be a lighthearted escape, Hindman said, it does address universal questions about love and destiny. “Is there any such thing as love at first sight?" he said. "Is love something that you build on? Or are you predestined to be with someone? We examine all of that.” Klein said a lot of people in a relationship might think they were put together by George, not Cupid. "I think there are times when we all feel that way because relationships are never perfect," she said. "It's usually kind of messy and awkward.”  

    NUMBER 4

    You know this cast. For the Love of George is performed by three actors, all of whom just completed a six-month engagement of First Date in the Galleria Theatre. Longtime Denver Center favorite Jordan Leigh plays George, while Seth Dhonau and Lauren Shealy play all the various couples at the inn. (More on them at the bottom of this story.)

    NUMBER 5 But it’s not being staged at the Galleria Theatre? No. For the Love of George is being performed in the Conservatory Theatre located at 13th and Arapahoe streets in the Robert and Judi Newman Center for Theatre Education. It’s a beautiful theatre primarily used for DCPA Education projects rather than public performances.

    And this P.S.: This project has nothing to do with an independent movie called For the Love of George that was released in February starring Nadia Jordan.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    More Colorado theatre coverage on the DCPA NewsCenter


    For the Love of George
    : Ticket information

    For the Love of George

    After an unfortunate misfire, Cupid’s less talented brother George is banished to earth to learn the joy, pain, messiness and inevitability of love. Armed with only an autoharp and little pluck, he is thrown into the role of a guide to unsuspecting soulmates to prove his mastery. George hopes that in return, Zeus will allow him home once he truly becomes a God of Love.

    • Presented by DCPA Cabaret
    • Performances May 3-11
    • Showtimes 7:30 p.m. May 3-4 and 10-11
    • Conservatory Theatre, located at 13th and Arapahoe streets in the Robert and Judi Newman Center for Theatre Education
    • Recommended for audiences age 18 and over
    • Call 303-893-4100 or BUY ONLINE

    Meet the cast:

    Seth DhonauSETH DHONAU. Since moving to Denver last year, Seth has been seen in several productions including First Date (DCPA Cabaret), Red Hot and Cole (Cherry Creek Theater and Evita (Lone Tree Arts Center). Previously he lived in New York and sang with some of the top choirs in the area, appearing at both St. Patrick's Cathedral and Carnegie Hall. Seth studied opera, theater and economics at Northwestern University where he appeared in Bernstein’s Mass, The Waa-Mu Show and multiple productions with the American Music Theatre Project. 

    • Hometown: Fond du Lac, Wis.
    • College: Bachelor of Music (Voice and Opera) from Northwestern University
    • What's your handle? @Deathsono on Instagram
    • Twitter-sized bio: Connoisseur of film, literature, music, wine and cowboy boots.



    Jordan LeighJORDAN LEIGH
    couldn’t be happier to be back on the Garner Galleria stage for a sixth time after his record-setting run in I Love You, You’re Perfect, Now Change (1,731 performances), Five Course Love, The Doyle and Debbie Show, Forbidden Broadway and First Date. A proud Denver native, he has appeared on stages across the city for 20 years, including his co-starring role with the DCPA Theatre Company as the Apostle, Matt in 2015’s The 12 (pictured below right) and in front of capacity crowds at The Buell while co-starring in the DCPA Theatre Company’s, White Christmas. An award-winning film actor as well, (three-time Best Actor-48 Hour Filmmaking Project/Special Screening Cannes), he recently appeared alongside Hollywood legends, Robert Redford and Jane Fonda, in the Netflix feature Our Souls at Night. Proud 17-year member of Actors Equity Association. Much love to Hannah.

    • Hometown: Denver. I am a third-generation Coloradan!
    • College: BA in Theatre and Masters Acting Intensive from UCLA School of Theatre (magna cum laude)
    • What's your handle? @JordanLeighActs on Twitter; @ThatActorGuyJordan on Instagram
    • Twitter-sized bio: Buddhist Jew who loves Jesus. And Science. And South Park. And Animals. Hopes we can find a way to cut through all this worldly Mishegas (Yiddish for “insanity”).



    Lauren ShealyLAUREN SHEALY:
    DCPA Cabaret: First Date; Forbidden Broadway; The Doyle and Debbie Show; I Love You, You’re Perfect…. DCPA Theatre Company: Sweeney Todd (Swing), A Christmas Carol (Ensemble). Off Broadway: Lingoland (Lauren), How to Succeed In Business... (Rosemary). The Arvada Center: White Christmas (Betty), A Man Of No Importance (Mrs. Patrick), Curtains (Georgia), Miracle On 34th Street (Doris), 1940’s Radio Hour (Anne). Lone Tree Arts Center: Evita (Eva, pictured below right), South Pacific (Nellie). National Tour: South Pacific (Nellie). Other Theaters: Jekyll and Hyde (Lucy), Tick, Tick…Boom (Susan), Phantom (Christine). Awards: 2017 True West Award for season of Evita, Company and First Date; 2015 CTG Henry nomination for Best Actress in a Musical; Westword’s Best Actress in a Musical for 2013. 

    • Hometown:
    Littleton
    • College: BFA Drama from NYU, Tisch School of the Arts
    • What's your handle? I am not that cool.
    • Twitter-sized bio: Lover of life, stories, music, family, heavy weights, hikes, hugs and cake pops. Habitual bath taker, banana bread maker and horror movie watcher.

     

  • Video: Your 'First Date' with Director Ray Roderick

    by John Moore | Feb 13, 2018

    In the video above, Director Ray Roderick talks about the Denver Center for the Performing Arts' production of the musical comedy First Date, which he calls a "super-funny, modern love story" that follows two characters as they go through their first date at a busy New York restaurant.

    First Date Fall Casting Photo by Emily LozowAs the date unfolds, the couple quickly finds they are not alone on this unpredictable evening. "It reminds people of what it was to be in love for the first time," Roderick said.

    The all-local cast includes Adriane Leigh Robinson, Seth Dhonau, Steven J. Burge, Jordan Leigh, Lauren Shealy, Barret Harper and Cashelle Butler. (Pictured at right:  Dhonau and Robinson, by Emily Lozow.)

    First Date performs through April 22 at the Garner Galleria Theatre.

    Video by Video Producer David Lenk and Senior Arts Journalist John Moore for the DCPA NewsCenter.

    Meet the cast: More fun to read than any dating profile!

    First Date: Ticket information
    First DatePerformances through April 22
    Tickets: Call 303-893-4100 or BUY ONLINE
    At the Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

    Previous NewsCenter coverage of First Date:
    Understudies talk about their unique role in First Date
    Video: Photos: Your first look at First Date
    Check out the all-local cast of the Denver Center's First Date


    Ray Roderick
  • Rodney Lizcano leads 2018 Colorado Shakes lineup as Richard III

    by John Moore | Feb 08, 2018
    American Mariachi Rodney Lizcano. Adams Viscom

    Rodney Lizcano, currently playing several roles in the DCPA Theatre Company's world premiere of 'American Mariachi,' will headline the 2018 Colorado Shakespeare Festival season in the title role of 'Richard III.' Photo by Adams Viscom.

    A flood of familiar faces this summer will join what the festival is calling the most diverse lineup in its history

    By John Moore
    Senior Arts Journalist

    Rodney Lizcano, an award-winning comic and dramatic actor now performing in the DCPA’s American Mariachi, is a character actor no more.

    Rodney LizcanoThe Colorado Shakespeare Festival announced today that Lizcano, a graduate of the Denver Center’s National Theatre Conservatory long known for his supporting roles, will play Shakespeare’s most murderous and malicious king in Richard III  this summer.

    “Rodney can slip chameleon-like in and out of different roles with such skill and charisma,” said Colorado Shakes Producing Artistic Director Timothy Orr. “He is thrilling to watch on stage, and we can’t wait for him to sink his teeth into Richard III.”

    Lizcano was nominated for a 2016 Colorado Theatre Guild Henry Award for his comic portrayal of Dogberry in Much Ado About Nothing, and again last year for playing a more somber Ralph Crane in the Denver Center’s world-premiere The Book of Will.

    As part of the Denver Center’s world-premiere cast of American Mariachi now performing in the Stage Theatre, Lizcano will travel with the production to San Diego for a run at the Old Globe Theatre opening March 28 before Colorado Shakespeare Festival rehearsals begin.

    Lizcano’s extensive Denver Center credits include Frankenstein, Hamlet, American Night, The Merchant of Venice, Gross Indecency, The Rivals, A Christmas Carol and more. His Colorado Shakes titles have included Hamlet, Equivocation, Much Ado About Nothing, Othello, Henry V, Tempest, The Merry Wives of Windsor and both parts of Henry IV. He has also performed with Theatre Aspen and the Arvada Center, among others.

    More Colorado theatre coverage on the DCPA NewsCenter

    Orr said the Colorado Shakespeare’s 61st season will again consist of two separate repertory companies: One to perform Love’s Labour’s Lost and Cyrano de Bergerac on the Mary Rippon outdoor stage, and another to perform Richard III and You Can’t Take it With You on the indoor stage.

    Orr also said 2018 promises to be its most diverse season in company history, with one third of all roles going to actors of color.

    Berry HartAmong those making their Colorado Shakes debuts is Betty Hart (pictured right), a new Colorado Theatre Guild board member who is directing DCPA Cabaret’s upcoming presentation of Lady Day at Emerson’s Bar & Grill, starring Denver First Lady Mary Louise Lee and playing Mondays at the Galleria Theatre from March 5-April 23. She will play Queen Elizabeth in Richard III and Mrs. Kirby in You Can’t Take it With You.

    Anthony Adu, from Off-Center’s Drag On, will play Moth in Love’s Labour’s Lost. And Brynn Tucker (DCPA’s Frankenstein and Last Night and the Night Before, will play Roxanne in Cyrano de Bergerac.

    Brynn Tucker Summit. Photo by John Moore“Historically, there haven’t been many opportunities for minority actors in classical theatre, and we’re committed to changing that,” Orr said. “Our aim is for the CSF stage to reflect the strengths and talents of the diverse communities in which we live.”

    Other returning Colorado Shakespeare Festival favorites include Sam Gregory and Leslie O’Carroll as Grandpa Vanderhof and Penelope Sycamore in You Can’t Take it With You, the classic 1930s screwball comedy about a young couple whose two very different families meet at a disastrous dinner.  

    Gregory, who plays Scrooge in the Theatre Company’s seasonal stagings of A Christmas Carol, appeared last summer in Colorado Shakes’ Hamlet and Rosencrantz & Guildenstern Are Dead. He is about to star in All My Sons at the Arvada Center, opening March 2. O’Carroll’s history with the Theatre Company goes back nearly 30 years, most recently as Mrs. Fezziwig in A Christmas Carol.

    Seth DhonauSeth Dhonau, currently starring in DCPA Cabaret’s First Date, and University of Northern Colorado alumna Desiree Mee Jung will play the quick-witted couple Rosaline and Berowne in Love’s Labour’s Lost. Marco Robinson, who just performed in Off-Center’s The Wild Party and is currently featured in Miners Alley Playhouse’s Fun Home, will star as King Ferdinand. DCPA Teaching Artist Chloe McLeod, who plays Joan in that same Fun Home, will play Essie Carmichael in You Can't Take it With You.

    Starring as Cyrano will be Scott Coopwood, who played Petruchio in The Taming of the Shrew and Brutus in Julius Caesar last year. Anastasia Davidson, currently appearing in Curious Theatre’s Detroit ’67, will play Jaquenetta in Love’s Labour’s Lost. Young Augie Reichert, who has been appearing in the DCPA Theatre Company’s annual stagings of A Christmas Carol since 2014, will play Little Richard in Richard III.

    Returning favorites include Michael Bouchard, Off-Center’s longtime Crumpet in The SantaLand Diaries, along with Sean Scrutchins, with whom he won a 2017 a True West Award for last season’s Rosencrantz & Guildenstern Are Dead. Also: Sam Sandoe, Anne Sandoe, Bob Buckley, Benaiah Anderson, Matthew Schneck, Mare Trevathan, Casey Andree, Brian Kusic, Sam Sandoe, Jihad Milhem, Emelie O'Hara, Austin Terrell and more.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    LL_Image4Love's Labour's Lost

    • By William Shakespeare
    • Outdoor stage
    • June 8-Aug. 12
    • Directed by Brendon Fox

    In the bucolic Kingdom of Navarre, four attractive young men make a pact to swear off romance and focus on academia — just minutes before the four loves of their lives wander by. Shakespeare’s comedy about the struggle to balance heart and head is the perfect ode to the festival's academic surroundings.

    • Marco Robinson: King Ferdinand of Navarre
    • Desirée Mee Jung: Princess of France
    • Seth Dhonau: Berowne
    • Scott Coopwood: Boyet
    • Rafael Untalan: Don Adriano de Armado
    • Matthew Schneck: Holofernes
    • Michael Bouchard: Costard
    • Grant Bowman: Anthony Dull
    • Anthony Adu: Moth
    • Brynn Tucker: Rosaline
    • Benaiah Anderson: Forrester/Mercade
    • Aziza Gharib: Maria
    • Amber Scales: Katherine
    • Casey Andree: Sir Nathaniel
    • Anastasia Davidson: Jaquenetta
    • David Derringer: Dumaine
    • AJ Voliton: Longaville


    richard.3.6.18.12Richard III

    • By William Shakespeare
    • Indoor stage
    • June 22-Aug. 11
    • Directed by Wendy Franz

    Richard, Edward IV’s deformed and embittered younger brother, will do anything to take the crown for himself — but once he has the throne, everything falls apart. Four centuries later, the masterful conclusion of Shakespeare’s Henriad history cycle still speaks volumes about lies, honor and the dark side of ambition.(Pictured: Richard III in 2012.)

    • Sam Gregory: Hastings
    • Leslie O'Carroll: Duchess of York
    • Betty Hart: Queen Elizabeth
    • Brian Kusic: Richmond/Grey/Alderman
    • Coleman Zeigen: Stanley
    • Sam Sandoe: Catesby/First Murderer
    • Christian Ray: Dorset/Second Murderer/Messenger/Alderman/Soldier
    • Jihad Milhem: Clarence/Earl of Oxford/Mayor of London
    • Lindsay Ryan: Lady Anne
    • Rodney Lizcano: Richard III
    • Sean Scrutchins: Buckingham
    • Austin Terrell: Brackenbury/Ratcliffe
    • Leraldo Anzaldua: King Edward IV/Bishop of Ely/Alderman/Soldier/Faceless Ghost/Fight Choreographer
    • Anne Penner: Margaret
    • Mike Largent: Rivers/Soldier/Alderman/Faceless Ghost
    • Kyle Chesney: Ensemble/Alderman/Soldier
    • Elena Sayeedi: Ensemble/Lady in Waiting/Alderman/Soldier
    • Alex RosenthalEnsemble/Alderman/Soldier
    • Luka Teodoru: Prince Edward
    • Augie Reichert: Little Richard, Duke of York
    • Kaiyane Arabian: Little Lady


    Cyrano de Bergerac

    • By Edmond Rostand
    • Outdoor stage
    • July 6-Aug. 11
    • Directed by Christopher DuVal

    In Rostand’s timeless romantic comedy, Cyrano is witty and proud but crippled by insecurity. He secretly pines for Roxanne — but she has her eyes on handsome, empty-headed Christian.

    • Marco Robinson: Christian de Neuvillette
    • Desirée Mee Jung: Sister Claire/Lady/Lise/Precieuse/Ensemble
    • Seth Dhonau: Brissaille/Cavalryman/Capuchin/Another Actor/Cadet 2/Cook 2 and Apprentice/Nun/Ensemble
    • Scott Coopwood: Cyrano de Bergerac
    • Rafael Untalan: Comte de Guiche
    • Matthew Schneck: Le Bret
    • Michael Bouchard: Ragueneau
    • Janae Burris: Bellerose/Doorkeeper/Actress/Poet 2/Nun/Ensemble
    • Anthony Adu: Jodelet/Cadet 3/Poet 1/Guard/Actor/Nun/Ensemble
    • Brynn Tucker: Roxanne+Read Bio for Brynn Tucker
    • AJ Voliton: Musketeer/Spanish Officer/Cadet 5
    • Benaiah Anderson: Vicomte de Valvert/Cadet 1/Cadet 6/Ensemble
    • Aziza Gharib: Flower girl/Nun/Poet 3/Pickpocket/Foodseller/Ensemble
    • Amber Scales: Sister Marthe/Duenna/A Lady/Ensemble
    • Casey Andree: Cuigy/Citizen/Cooks 1 and 4/Cadet 8/Ensemble
    • David Derringer: Ligniere/Nun/Cadet 4/Ensemble
    • Anne Sandoe: Mother Marguerite de Jesus/1st Marquis/Poet 4/Ensemble
    • Bob Buckley: Montfleury/Carbon de Castel-Jaloux/Cadet 7/Ensemble
    • Robert Wester: Cook 3/Bertrandous/Cadet


    You Can't Take It With You

    • By Moss Hart and George S. Kaufman
    • Indoor stage
    • July 20-Aug. 12
    • Directed by Carolyn Howarth

    When Alice brings her boyfriend’s traditional, straight-laced family to dine with her household of freethinking eccentrics, fights break out and fireworks erupt. Kaufman and Hart’s 1930s classic pays homage to those who march to the beat of their own drum and reminds us all to choose dreams over drudgery.

    • Sam Gregory: Martin (Grandpa) Vanderhof
    • Leslie O'Carroll: Penelope Vanderhof Sycamore
    • Betty Hart: Mrs. Kirby
    • Mare Trevathan: Olga/Gay
    • Coleman Zeigen: Mr. Kirby
    • Sam Sandoe: Mr. De Pinna
    • Lauren Dennis: Rheba
    • Christian Ray: Tony Kirby
    • Jihad Milhem: Ed Carmichael
    • Lindsay Ryan: Alice
    • Rodney Lizcano: Boris Kolenhkov
    • Sean Scrutchins: Henderson
    • Chloe McLeod: Essie Carmichael
    • Leraldo Anzaldua: Paul Sycamore/Fight Choreographer
    • Mike Largent: Donald
    • Kyle Chesney: The Man
    • Elena Sayeedi: G-man photographer


    Edward III

    • By William Shakespeare and Thomas Kyd
    • Outdoor stage
    • Aug. 5
    • Directed by Kevin Rich

    Colorado Shakes’ “Original Practices” tradition continues with a history play that’s been mired in mystery for hundreds of years. England’s king is out to capture the crown of France and the heart of a married countess. The cost of his lust? Personal humiliation and 150 years of English battle and bloodshed. This is a one-night-only performance, inspired by the stage practices of Shakespeare’s own time.

    • Michael Bouchard: Earl Douglas/Charles
    • Marco Robinson: Lorraine/Villers/Esquire 1/Calais Citizen 1
    • Desirée Mee Jung: Countess of Salisbury/Frenchman 2/Calais Citizen 2
    • Seth Dhonau: John of France
    • Scott Coopwood: Edward III
    • Benaiah Anderson: Prince Edward/Fight Choreographer
    • Aziza Gharib: Frenchman 4/French Herald 3/French Captain/Esquire 2/Herald
    • Emelie O'Hara: Lodwick/French Woman/Queen Phillipa
    • Leslie O'Carroll: Audley
    • Betty Hart: Artois
    • Sam Sandoe: Warwick/Frenchman 3/French Herald 1/Copland
    • Christian Ray: Messenger/Percy/Philip
    • Jihad Milhem: Mountague/French Mariner/Salisbury
    • Leraldo Anzaldua: David of Scotland/Gobin de Grey/Frenchman 1/Montford/French Herald 2
    • Kevin Rich: Derby

    *Play descriptions provided by Colorado Shakespeare Festival

    Casting by Sylvia Gregory Casting

    Ticket information
    The Colorado Shakespeare Festival's 2018 season runs through June 8-1Aug. 12 in Boulder on the campus of the University of Colorado. Tickets are available by calling 303-492-8008 or going to www.coloradoshakes.org

    Video bonus: Rodney Lizcano's Old Joe transformation:

  • 'First Date' understudies will take center stage at Denver Actors Fund screening

    by John Moore | Jan 18, 2018
    Understudies Cashelle Butler and Barret Harper. First Date Photo by John Moore
    First Date understudies Cashelle Butler and Barret Harper. Photo by John Moore

    Unsung heroes will get their chance to sing out at Monday's benefit screening of 500 Days of Summer at Alamo

    By John Moore
    Senior Arts Journalist

    Understudies are among the many unsung heroes of the theatre — especially on long-running shows such as DCPA Cabaret’s romantic musical comedy First Date at the Galleria Theatre. All the more so during the ongoing cold and flu epidemic in Denver.

    We talked about it with Cashelle Butler and Barret Harper, who on Monday will be performing songs from First Date before a screening of the popular film 500 Days of Summer at the Alamo Drafthouse. It’s a benefit for The Denver Actors Fund, which, in four years, has made more than $200,000 in medical relief available to members of the Colorado theatre community. Alamo donates 50 percent of all ticket proceeds from this fun monthly film series, which cleverly pairs a popular movie with a live appearance by a local theatre company staging a related musical.

    Cashelle Butler First Date QuoteFirst Date, which performs at the Galleria through April 22, follows a blind-date newbie who is set up with a serial dater. The audience follows along as a casual drink at a busy New York restaurant turns into a comically high-stakes dinner.

    We asked Butler and Harper about the life and challenges of an understudy, the importance of The Denver Actors Fund and Monday’s upcoming appearance at the Alamo.

    “I always find it an honor to be cast as an understudy,” said Butler, who attended Cherry Creek and Cherokee Trail high schools and graduated from the University of Northern Colorado in Greeley. “They are trusting me not only to know multiple roles, but to be able to come in at the last minute and keep the show running.”

    Butler was called on to perform in First Date just last week. “My castmates were all so supportive, helpful, trusting and incredibly fun to be on stage with,” she said. “They are a great group. You should all go see them shine, because they are truly amazing performers and human beings.”

    Harper, who graduated from Littleton High School and the University of Colorado Boulder, said understudies make it so that the lead actors don’t have to take unnecessary health risks for the sake of a single performance. “When an actor knows he has an understudy, he or she generally does a better job and is less likely to get sick because it removes the stress from feeling like they have the weight of the show resting on the unpredictable nature of human health,” he said. “They can focus on their craft with the confidence someone has their back.” 

    Choose your 500 Days of Summer screening seats here

    Join Butler and Barrett Monday for their live appearance at the Sloan’s Lake Alamo Drafthouse, hosted by film series emcee (and, coincidentally, First Date castmate) Steven J. Burge.

    In the meantime: Don’t forget to hug an understudy … but only if you’re healthy.

    Question: How is the importance of understudies heightened during cold and flu season?

    Cashelle Butler: That’s when understudies are especially vital. As a performer, you want to know that if you have to go out of the show, you aren't letting anyone down. Having an understudy gives you the peace of mind to know you can take the time you need to heal your body without any guilt. I want everyone to be healthy and happy and to never need me. But should that day come, I want to make sure nobody on stage has to worry about me or the show.

    BARRET HARPER QUOTE FIRRST DATEBarret Harper: Working as an understudy during cold and flu season requires extra vigilance and discipline. Your chances of performing skyrocket, but you are equally at risk for illness yourself. So staying fresh on the material and staying healthy are paramount.

    Question: What does it mean to you to help support The Denver Actors Fund on Monday?

    Cashelle Butler: It is both an honor and a privilege. While being an artist is incredibly rewarding, fun and exciting, it does not always afford us the stability and comfort that other jobs have. Life happens, and nobody should have to face life's worst turns alone. The Denver Actors Fund is there when you are going through your darkest days, offering help, support, hope and a reminder that this community is there for you and you are not alone. I feel so lucky to be a part of such a kind, supportive, genuinely caring community of humans and artists, and to be able to support the Denver Actors Fund is such a rewarding treat.

    Barret Harper: The Denver Actors Fund is the lifeline that connects the entire Colorado theatre community. It sends a message to the artists in this community that helping each other in our time of need makes our community and our art stronger. Individual actors generally don’t have the means to help others in a meaningful financial way, so the DAF provides a mechanism to transform our magnanimous spirit into something more tangible. It means the world to me to support an organization that has helped so many of my brilliant coworkers and friends over the past few years. 

    Question: Why should people come to see the screening of 500 Days of Summer on Monday?

    First Date Fall Casting Photo by Emily LozowCashelle: Everyone should hang out with us on Monday! When you support The  Denver Actors Fund, you are supporting Denver's community of actors. And you get to hear a few songs from First Date. Plus, Steven J. Burge is the funniest, most lovely and prettiest human around. He will make you laugh so hard you will leave with a washboard stomach. You also get to ogle Barret Harper and listen to his gorgeous voice. You'll get to eat popcorn and drink beer and watch one of the cutest movies of all time — which is not coincidentally quite similar to First Date. You get to escape the world for a few hours and hide in a movie theatre and believe in love.

    (Pictured: Seth Dhonau and Adriane Leigh Robinson in the DCPA's 'First Date.' Photo by Emily Lozow.)

    Barret Harper:  People should come knowing they will be contributing to an organization that is dedicated to directly helping the local theater community. You can see your donated money in action every time you see the actors perform. You become a part of the art in a meaningful way.

    John Moore was named one of the 12 most influential theater critics in the U.S. by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist. He is also the founder of The Denver Actors Fund.

    Meet the cast: More fun to read than any dating profile!

    500 Days of Summer: Benefit film screening:
    What: Denver Actors Fund screening of the film 500 Days of Summer, starring Joseph Gordon-Levitt and Zooey Deschanel
    Who: Live pre-screening entertainment from DCPA Cabaret's First Date.
    When: Monday, Jan. 22: Entertainment 6:30 p.m.; film at 7
    Where: Sloan's Lake Alamo Drafthouse, 4255 W. Colfax Ave., drafthouse.com

    First Date: Ticket information
    First DatePerformances through April 22
    Tickets: Call 303-893-4100 or BUY ONLINE
    At the Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

    Previous NewsCenter coverage of First Date:
    Video: Photos: Your first look at First Date
    Check out the all-local cast of the Denver Center's First Date


    Video bonus: Cashelle Butler visits Cherry Creek High School:

  • 2017 True West Award: Lauren Shealy

    by John Moore | Dec 16, 2017
    Lauren Shealy True West Award Photo by Emily Lozow

    2017 TRUE WEST AWARDS  

    Day 16: Lauren Shealy

    Lone Tree Arts Center
    Aurora Fox
    Denver Center for the Performing Arts

    By John Moore
    Senior Arts Journalist

    The thing Lauren Shealy brought to Evita was teeth.

    The thing she brought to Company was … passive-aggressive karate.

    The thing she brought to First Date was … dead Grandma Ida. Oh, and Google Girl.

    The thing Shealy brings to every role she plays is her depth of feeling as both an actor and as a human being on this planet.

    Lauren Shealy Quote True West AwardShealy is an accomplished, homegrown actress and vocalist who is as adept at playing comedy as she is the most ambitious woman in history. (Broadway history at least!) Her résumé is impeccable, with more than 20 years of knockout performances around the country including a national tour of South Pacific, off-Broadway and multiple productions at the Denver Center and throughout the Denver area. Shealy is a Littleton native who can be the picture of 1940s elegance one minute — and rip her shirt open the next.

    Shealy first came to the Denver Center for its 2011 production of I Love You, You’re Perfect, Now Change and returned for The Doyle and Debbie Show, Forbidden Broadway, A Christmas Carol, Sweeney Todd and now, the new musical comedy First Date.

    But the role that changed her life is the one that also changed her as a performer: Motherhood. Having a child left her raw, she says, and yet more brave. “My heart underwent profound renovations,” she said. “The current model has no walls, many doors – and seriously leaky faucets. Every day I wrestle with a delightful and terrifying mix of fear, love and humility.”

    It’s no coincidence then that the newly leaking, vulnerable, karate-chopping Shealy just knocked three consecutive and very different roles right out of the park. This year she headlined a high-profile production of Evita at the Lone Tree Arts Center alongside a primarily New York ensemble and not only held her own, she had the trailing masses both onstage and in the audience pawing at her fur. It was a gutsy portrayal of a legendary figure whose disputed legacy remains passionately divided 65 years after her death.

    Opening yourself up so fully can both make an actor better, and leave her utterly vulnerable. It’s done both to Shealy.

    “Encountering my best and worst self also has invited me to look at my stage characters differently,” she said. “I have more empathy for them and less judgment. When I look at Eva Peron, for instance, I don’t see a power-hungry manipulator of men. I see a passionate woman who wants to matter; wants to be loved. I see a fighter who uses street sense, wiles and alliances to gain the mobility she needs to realize her dreams.”

    Our full interview with Evita star Lauren Shealy

    Director Gina Rattan believes the real Eva, at her best, was a woman not all that dissimilar to Shealy. “Eva was giving, purposeful and driven,” Rattan said. “She wanted what was best for her fellow man. She stood behind her word and her deeds.”

    Lauren Shealy True West Aeard Lone Tree EvitaThe downfall of many a portrayal of Evita has been presenting the ruthless First Lady with perhaps too much sympathy. Shealy bared both her fangs and her heart, which is what Rattan said made Shealy “a dream” to work with — the very same word First Date Director Ray Roderick separately chose to describe Shealy.

    “Not only is Lauren effortlessly talented and effervescently positive, she has the discipline of a drill sergeant,” Rattan said. “I admire Lauren’s generosity of spirit, shimmering voice and her ability to bring searing truth to even the smallest moments.” 

    (Pictured: The money kept rolling in for Lauren Shealy and Miles Jacoby in Lone Tree Arts Center's 'Evita.' Below: Shealy and Kyle D. Steffen as Sarah and Harry in the Aurora Fox's 'Company.' Photo by Jeremy Rill — who also played Bobby.)

    Shealy followed Evita with an all-star production of Company at the Aurora Fox. That’s Stephen Sondheim’s melancholy musical rumination on the relative merits of solitude versus coupling. Surrounding bachelor Bobby (played by a terrific Jeremy Rill) are five married couples who unknowingly make strong cases for either life direction.

    Lauren Shealy Kyle Steffen Company Aurora Fox Photo by Jeremy Rill Photography Shealy played Sarah, a wife who is deluding herself with food, opposite a husband (Kyle D. Steffen) who is deluding himself about booze. The two walked a very thin tonal line between playful and pathos when they finally broke into a comically antagonistic display of the marital martial arts.

    Then came her current, long-term commitment to First Date, a musical comedy that explores the common pitfalls and pratfalls of contemporary dating, all in one pair’s first blind date. Shealy’s task is to play all the voices inside the dating woman’s head, real or imagined.

    First Date reunites Shealy with Roderick, her director on the daddy of all relationship musical comedies, I Love You, You’re Perfect, Now Change. Roderick seeks out only the very best actors he can find, but he also proudly espouses choosing actors who show a kind generosity of spirit — actors like Shealy.

    “Lauren is as stunning and engaged in the process as she is onstage,” Roderick said. “She is a true pro with extraordinary range, and a dream to work with." (There’s that word again.)

    More Colorado theatre coverage on the DCPA NewsCenter

    Actor Seth Dhonau has witnessed Shealy’s impressive range first-hand this year as her castmate in both Evita and First Date.

    denver-center_first-date_photo-by-emily-lozow lauren shealy“Working with Lauren, one can't help but strive to match the professionalism and preparation she so effortlessly brings to her roles,” Dhonau said. “Imbuing a performance with Lauren's positivity and energy is no small feat, and we're all so lucky to share the stage with her.”

    Audiences may not recognize the steely Argentinian in the taunting, imaginary ex-girlfriend Shealy portrays in First Date. And there’s no bigger compliment to Shealy, Rattan said.

    “I truly don’t know if there is anything she can’t do,” she said.

    (Pictured above right: Seth Dhonau, Steven J. Burge and Lauren Shealy in DCPA Cabaret's 'First Date.' Photo by Emily Lozow.)

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center’s Senior Arts Journalist.

    Lauren Shealy 2017: 

    • Evita in Evita, Lone Tree Arts Center
    • Sarah in Company, Aurora Fox
    • Woman I (six roles) in First DateDCPA Cabaret

    About The True West Awards: '30 Days, 30 Bouquets'
    The True West Awards, now in their 17th year, began as the Denver Post Ovation Awards in 2001. DCPA Senior Arts Journalist John Moore — along with additional voices from around the state — celebrate the entire local theatre community by recognizing 30 achievements from 2017 over 30 days, without categories or nominations. Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist. His daily coverage of the DCPA and the Colorado theatre community can be found at MyDenverCenter.Org

    A look back at the history of the True West Awards

    The 2017 True West Awards (to date)

  • Video, photos: Your first look at 'First Date'

    by John Moore | Nov 16, 2017

    Video by David Lenk.

    Here is your first chance to see video and photos from the new musical comedy opening Friday at the Galleria Theatre

    Here is your first look in video (above) and photos (below) at the Denver Center for the Performing Arts' new staging of First Date, opening Friday, Nov. 17,  and running through April 22, 2018, in The Garner Galleria Theatre.

    When blind-date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a comically high-stakes dinner. As the date unfolds in real time, the couple quickly finds they are not alone on this unpredictable evening.

    The director is Ray Roderick, and the all-local cast includes Adriane Leigh Robinson, Seth Dhonau, Steven J. Burge, Aaron Vega, Jordan Leigh, Lauren Shealy, Barret Harper and Cashelle Butler. (Vega plays the "Man 2" role from Nov. 11-Dec. 3. Leigh plays Man 2 from Dec. 5-April 22.)

    The Denver Center for the Performing Arts has announced that it is dedicating the opening performance and the entire run of First Date, opening Friday, as well as the entire run of A Christmas Carol, to Daniel Langhoff, who died last week from cancer. Read more here.

    Meet the cast: More fun to read than any dating profile!


    Full photo gallery: First Date production photos


    First Date

    Photos from the making of 'First Date.' To see more, click on the image above to be taken to our full gallery of photos. Photos by Emily Lozow for the DCPA NewsCenter.


    First Date: Ticket information
    First DateNov. 11, 2017, through through April 22, 2018
    Tickets : Call 303-893-4100 or BUY ONLINE
    Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

  • Check out the all-local casting for DCPA's 'First Date'

    by John Moore | Jul 12, 2017

    First Date

    The cast of 'First Date,' top row from left: Steven J. Burge, Seth Dhonau, Jordan Leigh and Lauren Shealy. Second row: Adriane Leigh Robinson, Cashelle Butler, Barret Harper and Director Ray Roderick. (Note: Aaron Vega plays Jordan Leigh's role from Nov. 11-Dec. 3.)


    Returning Galleria faces among the all-Colorado cast are Jordan Leigh, Lauren Shealy and Steven J. Burge

    By John Moore and Heidi Bosk
    For the DCPA NewsCenter

    The Denver Center for the Performing Arts has announced an all-local cast for its  upcoming production of First Date, playing The Garner Galleria Theatre from Nov. 11, 2017, through April 22, 2018.

    When blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a comically high-stakes dinner. As the date unfolds in real time, the couple quickly finds they are not alone on this unpredictable evening. In an unexpected twist, Casey and Aaron’s inner critics take on a life of their own when other restaurant patrons transform into supportive best friends, manipulative exes and protective parents who sing and dance them through ice-breakers, appetizers and potential conversational land mines. Can this couple turn what could be a dating disaster into something special before the check arrives?

    Directed by Ray Roderick (The Last 5 Years, The Taffetas, Five Course Love and I Love You, You’re Perfect, Now Change), First Date features both returning Denver Center favorites and exciting new faces:  
    • Adriane Leigh Robinson – Casey
    • Seth Dhonau – Aaron
    • Steven J. Burge – Man 1
    • Aaron Vega – Man 2 (Nov. 11-Dec. 3)
    • Jordan Leigh – Man 2 (Dec. 5-April 22)
    • Lauren Shealy – Woman 1
    • Barret Harper – Male Understudy
    • Cashelle Butler – Female Understudy

    The First Date creative team includes Martha Yordy (musical direction), Lisa M. Orzolek (scenic design), Charles R. MacLeod (lighting design), Meghan Anderson Doyle (costume design) and Craig Breitenbach (sound design).

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

    (Please be advised that the Denver Center for the Performing Arts – denvercenter.org – is the ONLY authorized ticket provider for this productions in Denver. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the DCPA is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.)


    First Date: Meet the cast

    Adriane Wilson 160ADRIANE LEIGH ROBINSON (Casey) is overjoyed to be making her Denver Center debut in this production of First Date. Before migrating to Colorado, Adriane performed internationally with a number of Air Force troupes and with James Madison University’s Children’s Playshop in Harrisburg, Virginia. Since graduating from The University of Northern Colorado, Adriane has appeared on the stages of Little Theatre of the Rockies and Miner’s Alley Playhouse, where she recently played Sally Bowles in Cabaret. Adriane was the recipient of Best Actress in a Musical at The European Toppers Awards in Heidelberg, Germany for her role of Dorothy in The Wizard of Oz (Aviano Theatre) and an Irene Ryan Awards nomination for her performance as Laurie Williams in Oklahoma (University of Northern Colorado).

    Adriane WilsonHometown: Aviano, Italy. I spent the ity of my high-school years there, and consider it the place where I truly began finding myself as an adult.
    • College: University of Northern Colorado in Greeley
    • What's your handle? @little.adriane.leigh on Instagram
    • Twitter-sized bio: I am a Pit-bull-loving, cheese-devouring, Harry Potter enthusiast. I was raised in a military family, so I had the opportunity to live and perform all over the country, and overseas. In my free time, I am a princess impersonator with a fabulous company called Wands and Wishes Occasions, in addition to running a photography business with my partner called Marco Robinson Photo. I am happiest when I’m reading, cooking, and playing with my two handsome puppies.
    • The role that changed your life? I recently played Sally Bowles in Cabaret with Miners Alley Playhouse in Golden (pictured above.) Sally was by far the most challenging and enjoyable character I’ve had the opportunity to tackle in a long while. She is such an iconic persona in the musical theatre world, and it was an honor to put my own spin on her manic yet lovable personality.
    Ideal scene partner: Steve Carell. I am such an enormous fan of his work; his range is so vast, and he seems like such a friendly person.
    What do you hope audiences get out of seeing First Date? I hope they walk away understanding that the presence of love in one’s life should stand above all other things. Professional success, material possessions and good looks all fade away at some point. But the one thing that has been proven to stand the test of time is love. Love deserves our attention, respect and dedication.
    Your worst first-date story: When I first arrived in Colorado in 2011, a friend set me up with one of his classmates. Let’s call him Ryan. Ryan seemed cute and sweet, so I agreed to the date. As a surprise, Ryan set up a horse-riding excursion for us in Colorado Springs, but we got hit by a terrible rainstorm, so that was no longer an option. I was new to the area, so I had no ideas, and neither did Ryan. Things were a little awkward as we sat in his car, trying to make small talk. Then things got very weird very fast. As our conversation started to dwindle, I realized we had nothing in common, especially when he started telling me about the demons that possess him. That’s right … demons. He went into great detail about the personalities of his demonic captors, and how they affected his daily life. Needless to say, there was no second date. I haven’t heard from Ryan or his demons since.
    Complete this sentence: “All I want is …"
    "... safety, good health, and happiness for those I love. Oh, and for my Hogwarts letter to arrive.
    Anything else you want to add?
    Enjoy the show, folks!

    Check out the all-local casting for DCPA's The Wild Party



    Seth DhonauSETH DHONAU
    (Aaron). Since moving to Denver last year, Seth has been seen in several productions including Red Hot and Cole (Cherry Creek Theater, pictured below right) and Evita (Lone Tree Arts Center). Previously he lived in New York and sang with some of the top choirs in the area, appearing at both St. Patrick's Cathedral and Carnegie Hall. Seth studied opera, theater and economics at Northwestern University where he appeared in Bernstein’s Mass, The Waa-Mu Show and multiple productions with the American Music Theatre Project. 

    Seth DhonauHometown: Fond du Lac, Wis.
    • College: Bachelor of Music (Voice and Opera) from Northwestern University
    • What's your handle? @Deathsono on Instagram
    • Twitter-sized bio: Connoisseur of film, literature, music, wine and cowboy boots.
    • The role that changed your life? George in Sunday in the Park with George. It wasn’t until I took on this role that I realized the power of storytelling on stage. To me it’s the ultimate confluence of music and art and the attending emotions that each brings about in us.
    Ideal scene partner: Joaquin Phoenix. I’m absolutely transfixed when he’s on screen; whether he appears to be digging into some unfathomable, wild place or just … being.
    • What do you hope audiences get out of seeing First Date? I hope our show reminds our audiences to take chances, and to not focus too much on the stuff you can’t change. There’s a big world out there if you allow yourself to go find it.
    • Your worst first-date story: Back in college, during the dark ages of Facebook (temporally, not socio-politically), I attempted to use my cell phone to look up an acquaintance with whom I’d be going on a first date that evening. Instead of typing her name into the search bar, I accidentally posted it, like a total creep, prominently atop my profile page where it remained for the duration of a recital I had just stepped on stage to perform. The post got no ‘likes,’ and I don’t think there was a second date.
    • Complete this sentence: “All I want is …"
    "... for people to slow down!”



    A Steven J. Burge 160STEVEN J. BURGE
     (Man 1) is thrilled to be back and treading the Denver Center boards again after making his Galleria debut last season as God in An Act of God (pictured below right). He made his Colorado debut in 2003 as Seymour in Little Shop of Horrors following the national tours of … And Then They Came for Me and A Christmas Carol. Since then, this award-winning character actor has appeared on stages throughout the Denver metro area including the Denver Center, Arvada Center, Curious Theatre, Lannie’s Clocktower Cabaret and many others. Steven was the recipient of The Denver Post Ovation Award for Best Solo Performance in Fully Committed (Aurora Fox), a one-man show in which Steven portrayed more than 30 different characters. Steven has also been recognized for his work in Contrived Ending (Buntport Theatre) and Dog Sees God: Confessions of a Teenage Blockhead (Avenue Theatre).

    Steven J. Burge, Erik Sandvold, Steven Cole Hughes, An Act of God. Photo by John Moore. Hometown: Martelle, Iowa. There's a sign on the city limits that reads "Welcome to Martelle! The small town with a big heart!" And it very much lives up to that hype. When my family moved there just after my seventh birthday, the town claimed fewer than 300 people. But I remember them as being the nicest 300 people on Earth. 
    • College: Theatre and Communications at Cornell College in Mt. Vernon, Iowa
    • What's your handle? I don't do the Twitter or the Instagram. But you should totally feel free to "friend" me on the Facebook if you'd like. It's my most favorite way to waste time.
    • The role that changed your life? In 2003, a tour I was doing ended and I came to Denver to take a three-month contract playing Seymour in Little Shop of Horrors. The plan was for me to do the show and hit the road again. But Colorado was so beautiful, and the people were so great, that I just kept on not leaving. Thirteen years later, I consider myself a proud Denverite. I guess that role didn’t just change my life; in some ways it sort of created it.
    Ideal scene partner: I don't need to look beyond Colorado to find a scene partner who will excite me or challenge me or inspire me. The artist community here is vibrant and relevant and I, for one, am so grateful to the Denver Center’s producers and subscribers and individual ticket-buyers for giving so many local theatre artists the opportunity to work where we live. That is a great gift. … OK, also Cassandra Peterson, a k a Elvira Mistress of the Dark. She's hilarious and she has been my comic hero since I was 10 years old. And guess what? She’s also from Colorado, kind of. Colorado Springs. But that counts.
    • What do you hope audiences get out of seeing First Date? Kissed. I hope you come to the show with someone you have a big ol' crush on ... whether it's a brand new crush or someone you've loved and married and crushed on for 50 years. I hope you sit in the audience together and get all twitterpated and nervous and get that "barfy" feeling. (It's a great feeling, isn't it?) And then I hope you get kissed. Every single one of you. 
    • Your worst first-date story: Ohmigosh, you guys, no lie: When I read this question, I immediately started to sweat. Then I briefly thought about quitting this show so I could avoid thinking about my dating life and answering this question. Then I recognized I was being a crazy person so I spent the better part of an hour Googling therapists in my insurance network and late-night delivery restaurants in my neighborhood. Then I watched a couple episodes of Dateline on Investigation Discovery because I find that when you're reflecting on your dating history, more often than not an episode of Dateline will remind you that no matter how bad you think it is, your taste in men could be worse. Pass.
    • Complete this sentence: “All I want is …"
    "... a room somewhere.
    Far away from the cold night air.
    With one enormous chair.

    (That's from My Fair Lady. Because I am a #MusicalTheatreNerd)
    • Anything else you want to add?
    Fine! Tell you what. ... If you REALLY want to hear my dating horror stories, find me after the show and I'll tell you over dessert. (It's a first date!) <3



    Jordan LeighJORDAN LEIGH
    (Man 2 from Dec. 5-April 22) couldn’t be happier to be back on the Garner Galleria stage for a fifth time after his record-setting run in I Love You, You’re Perfect, Now Change (1,731 performances), Five Course Love, The Doyle and Debbie Show and Forbidden Broadway. A proud Denver native, he has appeared on stages across the city for 20 years, including his co-starring role with the DCPA Theatre Company as the Apostle, Matt in 2015’s The 12 (pictured below right) and in front of capacity crowds at The Buell while co-starring in the DCPA Theatre Company’s, White Christmas. An award-winning film actor as well, (three-time Best Actor-48 Hour Filmmaking Project/Special Screening Cannes), he recently appeared alongside Hollywood legends, Robert Redford and Jane Fonda, in the Netflix feature Our Souls at Night. Proud 17-year member of Actors Equity Association. Much love to Hannah.

    Jordan Leigh The 12Hometown: Denver. I am a third-generation Coloradan!
    • College: BA in Theatre and Masters Acting Intensive from UCLA School of Theatre (magna cum laude)
    • What's your handle? @JordanLeighActs on Twitter; @ThatActorGuyJordan on Instagram
    • Twitter-sized bio: Buddhist Jew who loves Jesus. And Science. And South Park. And Animals. Hopes we can find a way to cut through all this worldly Mishegas (Yiddish for “insanity”). 
    • The role that changed your life? I regularly find that the roles I play reflect aspects of my own life journey that I'm experiencing right then and there. I'm constantly reawakened to how this craft is somehow esoterically and intimately intertwined with my own life experience. Well that, and playing Danny Zuko my senior year in high school. Because, well... Danny Zuko.
    Ideal scene partner: I love the idea of discussing the fact with Hugh Jackman that he can pull off playing both Wolverine and Jean Valjean. That seems pretty ideal from an acting standpoint.
    • What do you hope audiences get out of seeing First Date? When I am affected by the truth of human connection in this life, it restores my faith in our common journey on this planet. When I'm able to be a part of making others feel that way through theatre, it makes me all warm and fuzzy. That's what I'm hoping this show will do to the good folks who continue to support this ancient form of storytelling. Oh, and I hope that at least one person laughs hard enough to pee a little.
    • Your worst first-date story: When she said, “I'm not a big reader. My favorite book is Hop on Pop." No offense to Dr. Seuss, but I'll just leave that there.
    • Your best first-date story:
    Driving down to Albuquerque to meet the woman with whom I now love and share my life. Hooray for internet dating!
    • Complete this sentence: “All I want is …"
    "... for all sentient beings to be free from suffering.” (That is the goal of Buddhist philosophy.)
    • Anything else you want to add?
    I have been so fortunate to call the Denver Center (and especially The Galleria Theatre) my theatre home for 17 years now. I feel truly blessed to have been able to do what I do so frequently at this incredible place. To all at the DCPA who have placed your professional faith in me all these years, you have my undying gratitude.



    Lauren ShealyLAUREN SHEALY
    (Woman 1) DCPA Cabaret: Forbidden Broadway (Woman 2), The Doyle and Debbie Show (Debbie), I Love You, You’re Perfect… (Woman 2). DCPA Theatre Company: Sweeney Todd (Swing), A Christmas Carol (Ensemble). Off Broadway: Lingoland (Lauren), How to Succeed In Business... (Rosemary). The Arvada Center: White Christmas (Betty), A Man Of No Importance (Mrs. Patrick), Curtains (Georgia), Miracle On 34th Street (Doris), 1940’s Radio Hour (Anne). Lone Tree Arts Center: Evita (Eva, pictured below right), South Pacific (Nellie). National Tour: South Pacific (Nellie). Other Theaters: Jekyll and Hyde (Lucy), Tick, Tick…Boom (Susan), Phantom (Christine). Training/Awards: NYU, Tisch; 2015 CTG Henry nomination for Best Actress in a Musical; Westword’s Best Actress in a Musical for 2013. 

    Lauren Shealy. Photo by Danny Lam. EvitaHometown: Littleton
    • College: BFA Drama from NYU, Tisch School of the Arts
    • What's your handle? I am not that cool.
    • Twitter-sized bio: Lover of life, stories, music, family, heavy weights, hikes, hugs and cake pops. Habitual bath taker, banana bread maker and horror movie watcher.
    • The role that changed your life? My role as a mother changed me as a performer. My heart underwent profound renovations; the current model has no walls, many doors and seriously leaky faucets. Every day I wrestle with a delightful and terrifying mix of fear, love, and humility. I am often raw, I doubt my goodness, question my strength … but I am strangely more brave.
    Ideal scene partner: Emma Thompson. I want to work a scene with her, follow her around for a week, peek in her freezer. She’s so yummy to watch – fully present, strong and beautifully vulnerable. She is so smart! – she adapted the script for the Ang Lee version of Sense and Sensibility – it’s perfection.  
    • What do you hope audiences get out of seeing First Date? I hope the audience laughs and releases the stress of the day. I hope that they make a connection ... to me, to each other, and to the role that love/attraction plays in their lives.
    • Your best first-date story:
    In the summer of 2011, friends set me up on a blind date with Bret Hipsher. I had reservations. I was casually dating a photographer and felt conflicted about going on a date with someone else. My father encouraged me to go. “Lauren, you have nothing to lose and you never know ... this guy could be the love of your life," he said. I kept the date. When Bret arrived, I opened the door and promptly lost the ability to speak coherently. There was something about his easy smile, beautiful blue eyes and delicious smell that rendered me useless for a short time. Once I recovered, I found myself more at ease with Bret than I had ever been with another man. I loved talking to him. I stared at his forearms. I felt his kindness washing over me at regular intervals. I watched the breeze play with his hair. I marveled at his exceptional intelligence and great sense of humor. He had his stuff together. I knew he was important. After he kissed my cheek that night, I called the photographer and wished him well. I married Bret a year later.
    • Complete this sentence: “All I want is …"
    "… what I have.”



    Aaron VegaAARON VEGA
    (Man 2 from Nov. 11-Dec. 3)
    DCPA Off-Center: The Wild Party. Aaron has performed in theaters across the country and after many years in New York City moved to Colorado with his dog. He has adapted and directed Shakespeare, staged rock and symphony concerts, is a founding artist and board member for the puppet and mask ensemble The Zoot Theatre Company, is the Artistic Director for Eureka Suitcase in New York and is the Executive Producer for The People’s Theatre of Denver.

    Aaron Vega. The Wild Party. Adams VisComHometown: I grew up in Amish country in north central Ohio. A little rural town called Mansfield
    • Home now: Denver
    • Training: I graduated from high school early so that I could get a degree at Wright State University's Professional Actor Training Program
    • What's your handle? @bardgeek on both Twitter and Instagram
    • Website: AaronVega.com
    • Twitter-sized bio: Freelance actor and director who is committed to bringing the audience's imagination into the theatrical process. Also an over-eater of pizza and hummus.
    • The role that changed your life? I played John Harrower in an unknown musical by Ricky Ian Gordan and Tina Landau called States of Independence. That was the moment I realized that musical theatre could be something deeper and more meaningful than I previously thought. And that I didn't have to choose between being an actor and being a musical-theatre performer.
    • Ideal scene partner: Laurence Olivier. He was the perfect blend of technique, imagination, grace and courage.
    • What do you hope audiences get out of seeing First Date? A sense that the world is not as scary as prime-time TV would have us believe. That there is love in the world and that the only thing separating us from it is our frantic mind.
    • Your best first-date story: I've been incredibly lucky, and I've never been on Tinder so ... I'm good.
    • Complete this sentence: “All I want is …”:
    "... for the world to create more and destroy less."
    • Anything else you want to add? I have the index page of Shakespeare's Folio tattooed on my forearm. Whenever I'm feeling to big for my britches I can just look down and be reminded of what true genius is, and it motivates me to keep working harder. Kaizen! (That's the Japanese word for "change for better.")



    Barret HarperBARRET HARPER
    (Male Understudy) Denver Center debut. Barret has performed across the country in New York, Arizona and Florida, but is thrilled to return to Denver, which he considers home. He was most recently seen as Lonny in Rock of Ages at BDT Stage after two regional premieres of the production in Colorado and Arizona. Other favorite roles include Cornelius in Hello, Dolly!, Jinx in Forever Plaid, Mark in Altar Boyz, and Link in Hairspray. Regional: Colorado Shakespeare Festival, Arvada Center, Central City Opera, Arizona Broadway Theater, Broadway Palm Theater and Colorado Light Opera. Thanks to friends, family, and my beautiful wife for always encouraging me to dream.

    Barret Harper Forever PlaidHometown: Littleton 
    • College: BFA in Theater Performance, BA in Biochemistry, Minor in Chemistry from the University of Colorado Boulder 
    • What's your handle? @BarretHarper on Twitter; @grin.and.barret on Instagram
    • Twitter-sized bio: Barret. Beets. Battlestar Galactica
    • The role that changed your life? Jinx in Forever Plaid (pictured right at the Town Hall Arts Center). He is this quiet and shy person the audience gets to see come out of his shell, exposing so much heart. Everyone loves an underdog, and Jinx is the perfect personification of one. I love the journey he takes and his uncompromising nerdiness, which makes him incredibly endearing. If given the chance, I would play that role forever. 
    Ideal scene partner: Tom Hanks is a master of subtlety and nuance. His attention to small details makes his characters so vibrant and rich. I would love to watch him work and play off of that energy.
    • What do you hope audiences get out of seeing First Date? I hope the audience walks away with a renewed faith for the human spirit. In recent times, I have sensed that we have lost touch with the ability to find common ground as a source of compassion for people with different views. This show is about two impossibly matched people who find that deep down they are looking for the same thing. My hope is that we all find that common ground and a compassion for one another. 
    • Your worst first-date story: That would have to be the time I thought I would impress the girl with some culinary skills. The plan was to make a Greek-themed meal complete with homemade baklava, since she had never eaten any Greek food before. As we finished eating, she had a few bites of the baklava before her face started to flush and swell. I had never thought to ask her if she had a nut allergy, and the baklava was stuffed with finely crushed walnuts. Luckily, she realized what was happening and stopped eating the deadly dessert before it got any worse. We later laughed about my unintentional attempt at murder, but at the moment it happened I was sure I had blown it. 
    • Complete this sentence: “All I want is …"
    "... a room somewhere. Far away from the cold night air.” That’s from My Fair Lady. The world could use a little more of the kind of joy that musical theater celebrates. 


    Video above: Watch as Cashelle Butler returned to her Cherry Creek High School stomping grounds when she was in Denver for the farewell tour of 'Mamma Mia!' Video by David Lenk and John Moore for the DCPA NewsCenter.

    CashelleButlerCASHELLE BUTLER (Female Understudy) is thrilled to be back in her hometown of Denver following two years playing Tanya on the national tour of Mamma Mia!. Other credits include: Young Frankenstein (Elizabeth, Westword Best of Denver Award), The Marvelous Wonderettes (Cindy Lou, pictured below right at the Town Hall Arts Center), Parade (Lucille) and Legally Blonde (Paulette). University of Northern Colorado. Former DCPA Education student. Immense gratitude to DCPA, the cast, and the creatives. Love to Mom, Dad, Shea and Aaron.

    • Hometown: Denver
    • College: BA in Musical Theatre from the University of Northern Colorado in Greeley
    • What's your handle? @cashellebutler on Twitter and Instagram
    • Website:
    cashelle-butler.com
    • Twitter-sized bio: Lover of conversation, family, naps, music, coffee, cute animal photos and Chipotle.
    Chashelle Butler. Town Hall Arts Center. The role that changed your life? Playing Tanya in the Farewell Tour of Mamma Mia! The character is so fun and comical that it was a blast to be able to go to work every night and just be silly and laugh. However, it was also amazing discipline, doing the show for two years straight and staying truthful and genuine every night. It is crazy to think that live theatre can ever become muscle memory, but after a long run it is so important to be present every single night. The role was life-changing, but so was the lifestyle that went with it. Seeing the country while doing what I love was an incredible opportunity, and it was so wonderful to be able to perform in amazing theatres in awesome cities. (My favorite was Denver). It was such a whirlwind.
    Ideal scene partner: I really love Rachel Bay Jones, who is currently appearing in Dear Evan Hansen on Broadway). She is so versatile and such a strong actress. I’ve seen her in a few different shows, and every character she plays is just so genuine and believable. She's funny and fierce and vulnerable all in one, and I would love to work a scene (or 20) with her and learn from her.
    • What do you hope audiences get out of seeing First Date? I hope the audience is able to laugh, enjoy, and escape the world, I think First Date has a little bit of something for everyone. The story is so easy to connect with, and the music is so great that I think it’s an awesome way to spend an evening.
    • Your worst first-date story: One first date suggested we go on a hike and, in retrospect, it’s kind of creepy going off into the woods with a stranger. He said he was going to bring his dog, and I love dogs, so that really sold me. I met him at the trail thinking we will get to know each other while we leisurely walk. Instead, the guy broke into a full uphill sprint. What followed was two breathless hours of me trying to keep up on the trail run with this man and his dog. I tripped a lot, sweat a lot - and all we got to know about each other was our very different fitness levels.
    • Complete this sentence: “All I want is …"
    "... Happiness for myself and all those around me. Also music, Chipotle, and endless photos of baby animals.”

    More Colorado theatre coverage on the DCPA NewsCenter

    First Date: Ticket information
    First DateNov. 11, 2017, through through April 22, 2018
    Tickets : Call 303-893-4100 or BUY ONLINE
    Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

  • In the Spotlife: Lauren Shealy of 'Evita'

    by John Moore | Apr 15, 2017
    Lauren Shealy. Photo by Danny Lam. EvitaJesse Sharp and Lauren Shealy in Lone Tree Arts Center's 'Evita.' Photo by Danny Lam.


    MEET LAUREN SHEALY

    forbidden_broadway_group_JOHN_MOORELauren Shealy plays the fated First Lady of Argentina Eva Peron in Lone Tree Arts Center's Evita through April 29. She is known to Denver Center audiences for Sweeney Todd; Forbidden Broadway; A Christmas Carol; The Doyle and Debbie Show; and I Love You, You’re Perfect, Now Change. She has also appeared locally at the Arvada Center (White Christmas, A Man Of No Importance, Curtains, Miracle On 34th Street, 1940s Radio Hour); and as Nellie in the Lone Tree Arts Center's South Pacific. (She also played that role on a national tour.) Off-Broadway credits include Lingoland and How to Succeed In Business Without Really Trying

  • Lauren Shealy QuoteHometown: Denver
  • Home now: Lakewood
  • High School: Arapahoe
  • College: BFA in Drama from NYU's Tisch School of the Arts
  • What have you done for us lately? I played Betty Haynes in the Arvada Center’s White Christmas
  • Twitter-sized bio: Lover of life, stories, music, family, heavy weights, hikes, hugs and cake pops. Habitual bath-taker, banana-bread maker and horror-movie watcher.
  • What was the role that changed your life? My role as a mother changed me as a performer. My heart underwent profound renovations. The current model has no walls, many doors – and seriously leaky faucets. Every day I wrestle with a delightful and terrifying mix of fear, love and humility. I am often raw, I doubt my goodness and question my strength. But I am strangely more brave. Encountering my best and worst self also has invited me to look at my stage characters differently. I have more empathy for them, and less judgment. When I look at Eva, for instance, I don’t see a power-hungry manipulator of men. I see a passionate woman who wants to matter, wants to be loved. I see a fighter who uses street sense, wiles and alliances to gain the mobility she needs to realize her dreams.   
  • Ideal scene partner: Emma Thompson (pictured below and right). I want to follow her around for a week and peek in her freezer. She’s so yummy to watch – fully present, strong and beautifully vulnerable. And she is so smart! She adapted the script for the Ang Lee version of Sense and Sensibility – and it’s perfection.
  • What is Evita all about? This is Andrew Lloyd Webber's masterful musical take on the  illegitimateEmma Thompson, dirt-poor 15-year-old Argentinian girl who, driven by ambition and blessed with charisma, was a starlet at 22, the president's mistress at 24, the First Lady at 27 and dead at 33. In short: It's about love and power.
  • Tell us about the challenge of playing your part: I think the biggest challenge is burning voice, body and soul at an absolute fever pitch for two hours. Holding on to that intensity and maintaining the highest stakes possible as each scene tumbles forth is wildly challenging.
  • What do you hope audiences get out of seeing this play? Connection – to me, to the person next to them, to the memory of an extraordinary woman who lived an extraordinary life. 
  • More Colorado theatre coverage on the DCPA NewsCenter

  • What's one thing most people don't know about you? I love, love ... love horror movies. I need them on a steady drip.
  • What’s one thing you want to get off your chest? There are no perfect circumstances, there is no perfect time and life is so very short. If you know what you are meant to do – do it. If you love someone – tell them. If you can make the world kinder, safer and more honest – start … now.

  • The iconic balcony scene from Lone Tree Arts Center's 'Evita.' Scenic Design by Michael R. Duran. Photo by Danny Lam. 

    Lone Tree Arts Center's Evita: Ticket information

    • Music by Andrew Lloyd Webber, Lyrics by Tim Rice
    • Directed by Gina Rattan and Max Mamon (music)
    • Through April 29
    • Performances 7:30 p.m. Wednesdays and Thursdays; 8 p.m. Fridays and Saturdays; 1:30 p.m. Sundays. Also 1:30 p.m. Saturdays, April 15 and 22; Wednesday, April 19
    • Lone Tree Arts Center, just west of Interstate 25 and Lincoln Avenue
    • Tickets $35-$70
    • For tickets or information, call 720-509-1000 or go to lonetreeartscenter.org

    Cast list:
    •  Lauren Shealy as Eva Peron
    •  Miles Jacoby as Che
    •  Jesse Sharp as Peron
    •  Seth Dhonau as Magaldi
    •  Katherine Jackson as the Mistress
    •  Natalie Beaumont as Young Girl
    •  Ensemble: Rob Costigan, Maggie Davenport, Andrea Forsythe, Eric Anthony Johnson, Thadd Krueger, Michayla Lupien, Angela Mendez, Matthew D. Peters, Alejandro Roldan, Shannan Steele
    •  Children: Natalie Beaumont, Sophia Dotson, Isabella Fabiani, Grace Klusacek, Heidi Rogers, Rebecca Ruth, Ross Smallwood, Callie Jean Tysdal, Ryley Weinstein

    More 'In the Spotlife' profiles:
    Meet Lauren Bahlman of Wide-Eyed West's theMumblings
    Meet Mark Collins of And Toto Too's Lost Creatures
    Meet Carley Cornelius of Colorado Springs TheatreWorks' Constellations
    Meet Emily Paton Davies of Miners Alley Playhouse's God of Carnage
    Meet Kelsey Didion of Curious Theatre's Constellations
    Meet Denise Freestone of OpenStage's August: Osage County
    Meet Sam Gregory of the Arvada Center's Tartuffe
    Meet John Hauser of Curious Theatre's Hand to God
    Meet Jim Hunt of Buntport's The Zeus Problem
    Meet Jeff Jesmer of Spotlight Theatre's The Crucible
    Meet Wayne Kennedy of BDT Stage's Mid-Life 2
    Meet Carla Kaiser Kotrc of Miners Alley Playhouse's A Skull in Connemara
    Meet Seth Maisel of Town Hall Arts Center's The Firestorm
    Meet Tim McCracken of Local Theatre's The Firestorm
    Meet Angela Mendez of Beauty and the Beast
    Meet Joelle Montoya of Su Teatro's El Sol Que Tu Eres
    Meet Rebekah Ortiz of The Robber Bridegroom
    Meet Anne Oberbroeckling of Boulder Ensemble Theatre Company's Ripcord
    Meet Jessica Robblee of Buntport Theatre for All Ages' Siren Song: A Pirate Odyssey
    Meet Cory Sapienza of Miners Alley Playhouse's Hir
    Meet Sean Scrutchins of the Arvada Center's Bus Stop
    Meet Jane Shirley of The Avenue's Santa's Big Red Sack
    Meet Marc Stith of Benchmark Theatre's The Nether
    Meet Peter Trinh of the Aurora Fox's Chinglish
    Meet Petra Ulyrich of Germinal Stage-Denver's Johnny Got His Gun
    Meet Megan Van De Hey of the Arvada Center's Sister Act
    Meet Sharon Kay White of the Arvada Center's I'll Be Home for Christmas

    Lauren Shealy. Photo by Danny Lam. Evita
  • Cherry Creek Theatre pulls up carpet and moves into Mizel

    by John Moore | Jan 25, 2017

    Video above: Jeremy Rill as Cole Porter in 'Red Hot & Cole,' opening Jan. 26.



    Since 2010, Cherry Creek Theatre has performed in the most distinct setting of perhaps any local troupe – inside the Shaver-Ramsey Gallery surrounded by opulent, finely woven Oriental rugs more than likely worth more than the net worth of all the actors combined. But after six years and 18 productions, the company is apparently no longer feeling the (carpet) burn.

    Cherry Creek opens its seventh season on Thursday with its first show as the new resident theatre company at the Mizel Arts and Culture Center. The group will perform Red Hot & Cole in the Pluss Theatre, which is the Mizel’s intimate studio theatre. The Shaver-Ramsey Gallery in Cherry Creek North served the company well, but the set and portable lights had to be taken down after every performance so the store could conduct normal business by day. A more permanent venue has been long overdue.

    Cherry Creek Theatre Shannan Steele Quote“To continue to provide the quality productions the theatre is known for, and to expand its artistic pursuits, additional space is required,” said Mark Rossman, who co-founded Cherry Creek Theatre with his wife, Maxine. 

    Steve Wilson, Executive Artistic Director of the Mizel Arts and Culture Center, said he is overjoyed by the new partnership. “The Rossmans and Cherry Creek Theatre have been a powerful artistic presence in our area, and the MACC is delighted to bring them into our facility to assist in the continued growth of their outstanding work,” he said.

    Under Artistic Producer and outgoing Colorado Theatre Guild President Pat Payne, Cherry Creek Theatre has produced an eclectic mix ranging from Proof, Doubt and Twelve Angry Men to musicals including Baby, John & Jen and several Sondheim revues.

    Two huge upsides from the move: Free parking at the Mizel, and the ability to schedule more matinee performances. One downside: No Friday performances at the Mizel because of the Sabbath day of rest. Also, the move out of Cherry Creek North, given that the theatre company was specifically created in 2010 to bring live theatre to the shopping district.

    “While we would have liked to remain in Cherry Creek North, current redevelopment of the area has made this impossible from a cost standpoint,” Rossman said.  

    Red Hot & Cole is a two-act revue that traces Cole Porter’s career from Indiana to the world stages of New York, London, Paris and Venice, through his marriage, his friendships with contemporaries and the tragic riding accident that crippled him mid-career. The score features more than 25 Porter standards, including “Night and Day,” “Anything Goes” and “In the Still of the Night.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Cherry Creek has helped make its name as a legit new company by often incorporating union actors into its productions, which is cost-prohibitive for most comparably sized small companies. The local theatre ecology is teeming with professional-caliber non-union actors. But by committing to hiring - and paying - union actors, Cherry Creek has the full pool of available talent to choose from, and Red Hot & Cole is a primary example. Among the cast of Jeremy Rill, Seth Dhonau, Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White, Lauren Shealy, Shannan Steele, Susannah McLeod and Olivia James are five members of the Actors Equity union.

    Red Hot Cole Cherry Creek Theatre Those are some big names. Day starred in the Arvada Center’s La Cage Aux Folles and many others; White just won a True West Award for her work in Sister Act and others at the Arvada Center, and Steele is a very familiar face at the Denver Center, having appeared in I Love You, You’re Perfect, Now Change; The Last Five Years; My Way; Animal Crackers; Sweeney Todd, and A Christmas Carol. Likewise, Lauren Shealy has appeared at the Denver Center in Forbidden Broadway; A Christmas Carol; The Doyle and Debbie Show, and Love, Perfect, Change.

    The Director is Broadway performer Piper Arpan (Spamalot) and the Music Director is Susan Draus, Music Director of the recent Broadway hit Beautiful, The Carole King Musical and creator of last summer’s interactive party Reunion ’85 at the Lone Tree Arts Center.

    "This move into an actual theatre speaks volumes about the passion, commitment and drive of the Cherry Creek Theatre directors and board," said Steele. "They are such an asset to the arts community here in Denver."

    Cherry Creek Theatre’s inaugural three-show season at the Mizel will include The Baby Dance, directed by Gavin Mayer, March 30-April 30; and Beau Jest, directed by M. Curtis Grittner, Nov. 9-Dec. 10.

    Pictured above, clockwise from top left: Stephen Day, Susannah McLeod, Matt LaFontaine and Lauren Shealy.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.

    Red Hot and Cole: Ticket information
    Who: Presented by the Cherry Creek Theatre Company
    When: Jan. 26 through Feb. 19
    Where: Mizel Arts and Culture Center, 350 S. Dahlia St.
    Times: 8 p.m. Thursdays and Saturdays; 2 p.m. Sundays; also 7 p.m. Sundays, Feb. 12 and 19. No Friday perfromances
    Tickets $30-$35
    Call 303-800-6578 or go to cherrycreektheatre.org

    Mizel Arts and Culture CenterThe exterior of the Mizel Arts and Culture Center, home of the Pluss Theatre. Photo by John Moore for the DCPA NewsCenter.
  • January: Colorado theatre listings

    by John Moore | Jan 04, 2017
    Becky's New Car, Firehouse Theatre,

    NOTE: At the start of each month, the DCPA NewsCenter offers an updated list of upcoming theatre openings, spotlighting work being presented on stages statewide. Companies are encouraged to submit listings and production photos at least two weeks in advance to the DCPA NewsCenter at jmoore@dcpa.org.

    Five intriguing titles for January:

    NUMBER 1Red Hot and Cole. The Cherry Creek Theatre begins its seventh season with a big move out of the Shaver-Ramsey Gallery and into the Pluss Theatre at the Mizel Arts and Culture Center. The cast includes Jeremy Rill, Seth Dhonau, Damon Guerasio, Stephen Day, Matt LaFontaine, Sharon Kay White, Lauren Shealy, Shannan Steele, Susannah McLeod and Olivia James. The director is Susan Draus, music director for the tour of Beautiful - The Carole King Musical and creator of last year’s fun romp at the Lone Tree Arts Center Reunion ’85. Jan. 26-Feb. 19 at 350 S. Dahlia St., 303-800-6578 or cherry creek theatre’s home page

    NUMBER 2The Wiz. Ignite Theatre’s 31st production will be the 1975 Broadway musical that tells the story of The Wizard of Oz from an African-American perspective. Ignite intended to ease on down this road last summer, but issues involving the use of the Aurora Fox as a host venue forced the postponement. Featuring Clarissa DuBose as Dorothy. Jan. 7-29  at the Aurora Fox, 9900 E. Colfax Ave., 720-362-2697 or ignite’s home page

    NUMBER 3Peter TrinhComing to America. Theatre Esprit Asia returns with a compelling collaboration with the Theatre Company of Lafayette: Two monologues addressing issues of immigration. In Boat Person, Peter Trinh recounts the bloody fall of Saigon. In Antecedents, Maria Cheng recollects the Americanization of a precocious Chinese teenager. Jan. 13-22 at the Mary Miller Theater in Lafayette, 300 E. Simpson, 720-209-2154 or www.tclstage.org

    NUMBER 4RFK: A Portrait of Robert Kennedy. James O’Hagan Murphy returns to his signature role as a tribute to his recently departed director, Terry Dodd. Presented by Vintage Theatre Jan. 6-8 at the Dairy Center in Boulder, 2590 Walnut St., 303-440-7826 or thedairy.org; and Jan. 13-22 At Center/Stage, 27608 Fireweed Drive in Evergreen, 303-674-4934 or evergreenplayers.com

    NUMBER 5The Happiest Song Plays Last. Curious Theatre presents the final chapter of its Elliot Trilogy of plays by Quiara Alegría Hudes. In a cozy North Philadelphia kitchen, a matriarch takes a stand in her new role as the heart and voice of a crumbling community. Halfway around the world in Jordan, her cousin (Elliot) finds that his wartime nightmares have followed him into his new life as a film star. Punctuated by live music from Puerto Rico and the Middle East. Jan. 14-Feb. 17 at 1080 Acoma St., 303-623-0524 or curioustheatre.org

    THIS MONTH'S THEATRE OPENINGS IN COLORADO:

    (Submit your listings to jmoore@dcpa.org)

    Jan. 5-Feb. 4: OpenStage Theatre & Company’s Bright Ideas
    Lincoln Center, 417 W. Magnolia St., Fort Collins, 970-484-5237 or openstagetheatre.org

    JANUOARY OPENINGS DCPA 1Jan. 6-28: Breckenridge Backstage Theatre's Red
    121 S. Ridge St. 970-453-0199 or backstagetheatre.org

    Jan. 6-22: Performance Now's Man of La Mancha
    Lakewood Cultural Center, 470 S. Allison Parkway, 303-987-7845 or performance now’s home page 

    Jan. 6-March 18: Midtown Arts Center's Million Dollar Quartet
    3750 S. Mason St., Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 6-8: Vintage Theatre's RFK: A Portrait of Robert Kennedy
    At the Dairy Center for the Arts, 2590 Walnut St., Boulder, 303-440-7826 or thedairy.org

    Jan. 6-29: Jesters Dinner Theatre's Godspell
    224 Main St., Longmont, 303-682-9980 or jesterstheatre.com

    Jan. 7-Feb. 4: Firehouse Theatre Company's Becky’s New Car
    John Hand Theatre, 7653 E. First Place, 720-880-8727 or firehousetheatercompany.com

    Jan. 7-29: Ignite Theatre's The Wiz
    At the Aurora Fox, 9900 E. Colfax Ave., 720-362-2697 or ignite’s home page

    Bright IdeasJan. 10-22: National touring production of Fun Home
    Ellie Caulkins Opera House, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 12-March 12: Candlelight Dinner Playhouse’s Forever Plaid
    4747 Marketplace Drive, Johnstown, 970-744-3747 or coloradocandlelight.com

    Jan. 12-29: Thingamajig Theatre Company's Buyer & Cellar
    Pagosa Springs Center for the Arts, 2313 Eagle Drive, 970-731-7469 or pagosacenter.org

    Jan. 13-Feb. 26: DCPA Theatre Company's The Book of Will
    Ricketson Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 13-Feb. 12: The Edge Theatre's Burn This
    1560 Teller St., Lakewood, 303-232-0363 or theedgetheater.com

    Jan. 13-22: Theater Esprit Asia and Theater Company of Lafayette’s Coming to America
    At the Mary Miller Theater, 300 E. Simpson, 720-209-2154 or www.tclstage.org

    Jan. 13-Feb. 4: Town Hall Arts Center's Avenue Q
    2450 W. Main St., Littleton, 303-794-2787 or townhallartscenter.org

    Jan. 13-Feb. 12: The Avenue Theater's Almost, Maine
    417 E. 17th Ave., 303-321-5925 or the avenue’s home page


    Jan. 13-Feb. 4: Equinox Theatre Company’s The Who’s Tommy
    At the Bug Theatre, 3654 Navajo St., 720-984-0781 or equinox’s home page

    Jan. 13-22: Vintage Theatre's A Portrait of Robert Kennedy
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.com

    Jan. 13-22: Vintage Theatre's A Portrait of Robert Kennedy
    At Center/Stage, 27608 Fireweed Drive, 303-674-4934 or evergreenplayers.com

    Carter NovingerJan. 13-March 5: Vintage Theatre's Brilliant Traces
    1468 Dayton St., Aurora, 303-839-1361 or vintage’s home page

    Jan. 13-29: Colorado Springs Fine Arts Center's WYNOT Radio Theatre in The Other Coast Caper
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Jan. 13-22: Longmont Theatre Company's Leading Ladies
    513 Main St., 303-772-5200 or longmonttheatre.org

    Jan. 13-March 18: Midtown Arts Center's Forbidden Broadway (Studio Theatre)
    3750 S. Mason St., Fort Collins, 970-225-2555 or midtownartscenter.com

    Jan. 14-Feb. 17: Curious Theatre's The Happiest Song Plays Last
    1080 Acoma St., 303-623-0524 or curioustheatre.org

    Jan. 20-Feb. 19: Aurora Fox's Myth
    9900 E. Colfax Ave., Aurora, 303-739-1970 or aurorafox.org

    Jan. 20-Feb. 12: Parker Arts Center and Inspire Creative's Disney's Beauty and the Beast
    20000 Pikes Peak Avenue, Parker, parkerarts.org

    RFK VintageJan. 26-Feb. 19: Cherry Creek Theatre's Red Hot and Cole
    At the Mizel Arts and Culture Center's Pluss Theatre, 350 S. Dahlia St., Denver, 303-800-6578 or cherry creek theatre’s home page

    Jan. 27-Feb. 26: DCPA Theatre Company's The Christians
    Stage Theatre, Buell Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org

    Jan. 27-March 5: Miners Alley Playhouse's Hir
    1224 Washington St., Golden, 303-935-3044 or minersalley.com

    Jan. 27-Feb. 12: Something’s Afoot
    27357 Conifer Road, Conifer, 303-886-2819, 800-838-3006 or stagedoor’s home page


    CONTINUING CURRENT PRODUCTIONS:

    Through Jan. 8: Colorado Springs Fine Arts Center's Shrek: The Musical
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    Through Jan. 8: Vintage Theatre Productions' Beauty and the Beast
    1468 Dayton St., Aurora, 303-839-1361 or vintagetheatre.com READ MORE

    Through Feb. 19: BDT Stage's Thoroughly Modern Millie
    5501 Arapahoe Ave., 303-449-6000 or bdtstage.com

    Through March 12: DCPA Cabaret's An Act of God
    Galleria Theatre, Denver Performing Arts Complex, 14th and Curtis streets, 303-893-4100 or denvercenter.org READ MORE

    More Colorado theatre coverage on the DCPA NewsCenter


    ONGOING, MONTHLY or ONE-TIME PROGRAMMING:

    ADAMS MYSTERY PLAYHOUSE
    Ongoing productions
    2406 Federal Blvd., Denver, 303-455-1848 or adamsmysteryplayhouse.com

    THE AVENUE THEATER
    Jan. 26: Scriptprov (improv comedy and theatre actors working together)
    417 E. 17th Ave., 303-321-5925 or the avenue’s home page

    BUNTPORT THEATRE
    Jan. 14: Siren Song: A Pirate Odyssey (Monthly theatre for young audiences at 1 and 3 p.m. the second Saturday of each month, through May 13)
    Jan. 17: The Great Debate
    Jan. 18: The Narrators (a live storytelling show and podcast)
    Jan. 27: Untitled (in the freight elevator at the Denver Art Museum)
    717 Lipan St., 720-946-1388 or buntport.com

    THE CATAMOUNTS
    Jan. 27: FEED: Darkness
    An examination of why we need darkness in order to see the light through a  short performance piece and live music. With a four-course meal and drink.
    At Still Cellars, a distillery and arthouse, 115 Colorado Ave., Longmont


    Paula Poundstone

    COLORADO SPRINGS FINE ARTS CENTER

    Jan. 13-14: Staged concert of Next to Normal with Broadway veteran Susan Dawn Carson
    Jan. 27, 2017: An Evening With Paula Poundstone
    30 W. Dale St., Colorado Springs, 719-634-5581 or csfineartscenter.org

    CURIOUS THEATRE
    Jan. 8: Gabriella Cavallero host an evening of music and conversation with the Harlem Quartet. The program will spotlight the music in Quiara Alegría Hudes’ plays.
    1080 Acoma St., 303-623-0524 or curioustheatre.org


    Waiting for Obama

    DENVER ACTORS FUND

    Jan. 19: Staged reading of John Moore's play Waiting for Obama
    The Edge Theatre 1560 Teller St., Lakewood, 720-231-7547 email denveractorsfund.org
    (Free, no advance ticketing. Drop in.)

    Jan. 22: Billy Elliot (the movie)
    Denver Actors Fund monthly film series in partnership with local theatre companies)
    Pre-screening entertainment by cast of Vintahe Theatre's upcoming production of Billy Elliot, The Musical
    At the Alamo Drafthouse, Aspen Grove, 7301 S Santa Fe Dr, Littleton, 720-588-4107 or BUY TICKETS

    LANNIE’S CLOCKTOWER CABARET
    Jan. 6: The Jerseys sing the Four Seasons and more
    D&F Clock Tower, 16th and Arapahoe streets, 303-293-0075 or clocktowercabaret.com

    THE SOURCE THEATRE COMPANY
    Every third Monday: Monday! Monday! Monday! Cabaret
    At Su Teatro Performing Arts Center, 721 Santa Fe Drive, 720-238-1323 or thesourcedenver.org

    STORIES ON STAGE
    Jan. 14: Leaps of Faith
    "The Conversion of the Jews” by Philip Roth Young, performed by Michael Bouchard
    "The Blue Hole” by Erika Krouse, performed by Jessica Austgen
    "A Fable with Slips of White Paper Spilling from the Pockets” by Kevin Brockmeier, performed by Cajardo Rameer Lindsey
    1:30 p.m. & 6:30 p.m. Jan. 14 at At the Su Teatro Performing Arts Center, 721 Santa Fe Drive, 303-494-0523 or storiesonstage.org

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    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

    DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.