• Video: First look at 'The Great Leap,' and 5 things we learned at Perspectives

    by John Moore | Feb 06, 2018
    Your first look at 'The Great Leap.' Video by David Lenk for the DCPA NewsCenter.

    Playwright Lauren Yee intends to take audiences right down to the buzzer when her new play opens Friday  

    By John Moore
    Senior Arts Journalist

    Denver audiences have not yet seen Lauren Yee’s new basketball play The Great Leap, opening Friday in the Ricketson Theatre. But while no literal hoops action goes down on the stage, actor Linden Tailor says the story plays out much like any good, close basketball game: You don't know how it’s going to come out till the very end.

    “The play builds in intensity the same way a game does in those final two minutes,” said Tailor, who plays a short but scrappy Chinese-American player named Manford in Yee's tale of a college basketball team that travels to Beijing for a “friendship” game and lands right in the middle of the Cultural Revolution. “That’s the feeling I hope the audience gets when they see the play.”

    The occasion was Perspectives, the DCPA Theatre Company’s ongoing series of community conversations held just before every first preview performance. Literary Manager Douglas Langworthy was joined by Yee, Tailor, actor Keiko Green, Dramaturg Kristin Leahey of the Seattle Repertory Theatre and Scenic Designer Wilson Chin.

    Yee takes great pains to make her play mirror the game she honors in several ways. The sound of dribbles make for heightened sound effects, for example. Intermission is like halftime. There is a big game at the end of the play, but the audiences only hear about it in a fugue of language. Actors quickly toss words back and forth like the passing of a basketball. "There are times when all four of us are sharing a sentence," Green said. The effect is similar to the teamwork you see in a game. “You can feel it when the players are comfortable and supportive of each other," she said. "And that’s the feeling we hope to convey as actors."

    Here are five things we learned about The Great Leap at Perspectives. Next up: A conversation with the creative team from Native Gardens at 6 p.m. Friday, April 6, in the Jones Theatre:

    The Great Leap Perspectives. Photo by John Moore

    From left: Douglas Langworthy, Keiko Green, Linden Tailor, Lauren Yee, Kristin Leahey, Wilson Chin and Eric Ting. Photo by John Moore for the DCPA NewsCenter. Full photo gallery below.

    NUMBER 1"Let's go co." In its nearly 400 productions, the DCPA Theatre Company has only participated in two previous “co-productions” — world-premiere plays created in full partnership with another company. And they both took place in 2000: The Laramie Project, with Moisés Kaufman’s Tectonic Theatre Project in New York, and the epic 10-play cycle Tantalus with the Royal Shakespeare Company. Until now. This season, the DCPA is launching two "co-pros" simultaneously: The Great Leap with the Seattle Repertory Theatre (opening there March 28) and American Mariachi with the Old Globe in San Diego (opening there on March 29). One of the primary reasons most theatres enter co-productions is the opportunity to share expenses. But Leahey said this arrangement has far more to do with overlapping interests. "It was an affinity for the play, for the playwright and the opportunity to collaborate with our friends the Denver Center," she said. "It was not for financial reasons."

    NUMBER 2The evolution will not be televised. Yee's play was first introduced to Denver Center audiences last February as a featured reading at the 2017 Colorado New Play Summit. Since then, "I think the play has changed an incredible amount," said Yee — and not just the title, which has morphed from the original Manford at Half Court to Manford at the Line Or The Great Leap to, finally, the shortened The Great Leap. "As a writer, I tend to know the major pieces of the puzzle early on, like the characters and the setting," Yee said. "For me the rewriting process — like being at the Summit for two weeks and seeing how it works in front of audiences — is figuring out better ways of connecting those pieces together."

    NUMBER 3Language barrier. Half of The Great Leap takes place in San Francisco, and half takes place in China. Yee was asked by a Perspectives audience member if the play will ever be staged in China, and she said that had not yet even occurred to her. "I don't think it would work there," she said. "My references are so American, both in terms of language and pop-culture references, that I don't know how it would read to a Chinese audience. In America, we have a very specific take on what our history is, and I'm sure that China has a very specific take on what world history is. I think if you were to see my play in China, you would be like, "No. You are completely wrong about our history. I see it entirely differently.' "

    NUMBER 4The Great Leap Linden Tailor Nuggets. Photo by Hope GrandonThe Hornets rest. The Great Leap cast made a field trip on Monday to the Denver Nuggets' game against the Charlotte Hornets, where they were welcomed by a message on the giant scoreboard. They also met Rocky, one of the most popular mascots in all of sports. And in return, the cast sent the Nuggets their good vibes, which surely played a part in the Nuggets' 121-104 rout. "It's fun to go to a game and have it be research," Tailor joked. (Photo: Rocky and Linden Tailor. Photo by Hope Grandon.)

    NUMBER 5Ordinary people. Yee’s next play is called Cambodian Rock Band, and it bears one major similarity to The Great Leap, she said: Ordinary people intersecting with extraordinary places in history. “In Cambodia during the 1960s and '70s, there was a whole psychedelic surf-rock scene that you never heard about because the communists took over Cambodia in 1975, after the Vietnam War ended," Yee said, "and the first thing they did was kill all the artists. In four years, 90 percent of their musicians died, and the only ones who survived are those who hid their identities. My play is the story of a Cambodian-American woman and her father, who is a Khmer Rouge survivor. In the course of the play, the daughter learns that her father was in this rock band. I think that's something we can all relate to: Not really fully knowing who your parents are.” It opens March 3 at the South Coast Repertory in Orange County, Calif.

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.

    Photo gallery: The making of The Great Leap:

    The making of 'The Great Leap' Photos from the making of 'The Great Leap,' opening Friday and performing through March 11 in the Ricketson Theatre. To see more photos, click on the image above to be taken to our full gallery. Photos by John Moore for the DCPA NewsCenter. Pictured above is Director Eric Ting (pictured). 

    The Great Leap: Ticket information
    GreatLeap_show_thumbnail_160x160When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, while Chinese coach Wen Chang must decide his role in his rapidly changing country. Tensions rise right up to the final buzzer as history collides with the action on the court.

    • Presented by the DCPA Theatre Company
    • Performances Through March 11
    • Ricketson Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Read more: Our complete interview with Lauren Yee

    Selected previous coverage of The Great Leap:
    For The Great Leap playwright Lauren Yee, family is a generation map
    Five pieces of fun hoops history to know, like: What's a pick and roll?
    Five things we learned at first rehearsal, with photos
    Summit Spotlight: Lauren Yee lays it all on the free-throw line
    Vast and visceral: Theatre Company season will include The Great Leap

    More Colorado theatre coverage on the DCPA NewsCenter

  • In your face: There's frost bite on the set of 'Zoey's Perfect Wedding'

    by John Moore | Jan 10, 2018

     

    Cakesmash! Find out what happens when you let them eat cake on the set of the new comedy Zoey's Perfect Wedding.

    Zoey's Perfect Wedding Cakesmash  Grayson DeJesus Photo by Adams Viscom Cakesmash! Check out the fun cast members from the DCPA Theatre Company's Zoey’s Perfect Wedding had for this commercial and photo shoot.

    The cast members featured in the video above are Jeff Biehl, Grayson DeJesus, Nija Okoro and Mallory Portnoy. The cast also includes Nick Ducassi  and Kristin Villanueva. The director is Mike Donahue. 

    Zoey’s Perfect Wedding is a comedy by Matthew Lopez about a wedding that goes catastrophically wrong. It performs from Jan. 19 through March 25 in the Space Theatre at the Denver Performing Arts Complex. Ticket information below.

    Video by DCPA Video Producer David Lenk. 

    Photo gallery: The making of Zoey's Perfect Wedding in Denver

    The making of Zoey's Perfect Wedding
    Check out our full gallery of photos from the making of 'Zoey's Perfect Wedding' in Denver (to date!), beginning with the 'Cakesmash' photo shoot above and going back to first rehearsal. To see more photos, click on the image above to be taken to our full Flickr gallery. Photos by Sam Adams of Adams Viscom and John Moore for the DCPA NewsCenter.

    Zoey's Perfect Wedding: Ticket information
    Zoey_seasonlineup_200x200At a glance: The blushing bride. The touching toast. The celebration of true love. These are the dreams of Zoey’s big day…and the opposite of what it’s turning out to be. Disaster after disaster follow her down the aisle, from brutally honest boozy speeches to a totally incompetent wedding planner. Even worse, her friends are too preoccupied with their own relationship woes to help with the wreckage around them. Like a car crash you can’t look away from, watch in awe as this wildly funny fiasco destroys her expectations with the realities of commitment, fidelity and growing up.

    • Presented by the DCPA Theatre Company
    • Performances Jan. 19-Feb. 25
    • Space Theatre, Denver Performing Arts Complex
    • Tickets start at $30
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Selected previous NewsCenter coverage of Zoey's Perfect Wedding":

    Time-lapse video: Creating your first look at Zoey's Perfect Wedding
    Video: Director Mike Donahue on just how perfect Zoey's Perfect Wedding really is
    Five things we learned at first rehearsal

  • Video: Meet the ghost that was taller, wider ... and creepier

    by John Moore | Jan 08, 2018
    Video above by DCPA Video Producer David Lenk. Interviews by Senior Arts Journalist John Moore.

    The DCPA's creative team tells us why they made the mysterious final spirit to visit Scrooge nearly 3 feet taller

    By John Moore
    Senior Arts Journalist

    If you are a regular attendee of the DCPA Theatre Company’s seasonal staging of A Christmas Carol, you may have noticed how much bigger and more imposing The Ghost of Christmas Yet To Come was from years, well … past.

    A Christmas Carol Kevin Copenhaver Darrell T. Joe. Photo by John Moore“We wanted it to be a very big presence, much bigger than it has been in the past,” said Costume Crafts Director Kevin Copenhaver.

    “It's just creepier,” added Director Melissa Rain Anderson.  

    In this video, Copenhaver tells us the mysterious and reticent final spirit to visit Ebenezer Scrooge was not only 2 ½ feet taller and wider this year — he was easier for the actor inside to move around in.

    “He's now 10½ feet tall,” Anderson said, "and the actor was walking around on his feet rather than on stilts.”

    The way Copenhaver sees it, the silent future spirit is neither human skeleton nor exactly a ghost. “Hopefully it doesn’t read as much of anything except a shape or a form,” he said. Perhaps the most remarkable advancement with this new iteration of Copenhaver’s costume invention, he added, “is that it is so light, “I can lift it up with one hand.”

    Still, it took a backstage team of four to help first-time DCPA actor Darrell T. Joe, who played several characters in the story, to get in and out of the costume quickly. Joe, who is admittedly a claustrophobic person, said moving around onstage was a challenge because of low light and being covered in costume. But "it’s helped me overcome my fear of tight spaces,” he said.

    You also may have noticed, Anderson shared — that for a play filled with live music, none playing the entire time The Ghost of Christmas Yet to Come was onstage. “There can be no singing during that part of the story,” Anderson said, “because music is dead.”

    More Colorado theatre coverage on the DCPA NewsCenter

    A Christmas Carol Ghost of Christmas Yet to Be. Photos by Sam Adams for VisCom. Take a look at the difference in between The Ghost of Christmas Past in 2016 compared to 2017. The actor paying Scrooge in both cases is Sam Gregory. Photos by Sam Adams of Adams Viscom.  

    Previous NewsCenter coverage of A Christmas Carol 2017:
    DCPA's A Christmas Carol still brings playwright to laughter, tears
    Photos, video: Your first look at A Christmas Carol 2017
    Video: Governor, Carol cast send Colorado National Guard thanks and hope
    A Christmas Carol: A timeline to today
    DCPA's 25th A Christmas Carol brims with mistletoe and milestones

    Full photo gallery: The Making of A Christmas Carol 

    Making of 'A Christmas Carol' 2017

    Photos from the making of 'A Christmas Carol' from first rehearsal to opening night. To see more, click on the image above to be taken to our full gallery of photos. Photos by John Moore for the DCPA NewsCenter.

  • Video: Genie from Disney's 'Aladdin' sings Broncos anthem

    by John Moore | Dec 27, 2017

    Anthony Murphy, who has joined the Melbourne production of Disney's Aladdin, visited Denver on Nov. 19, 2017, to sing the National Anthem at the Denver Broncos' home game against the Cincinnati Bengals at Mile High Stadium. Murphy will not be appearing in the U.S. touring production that will play at the Buell Theatre from April 7-28, 2018, but he was here as an ambassador for the show.

    Watch as Murphy goes through sound check and gets advice about the vagaries of stadium singing from the Denver Broncos' Liz Coates, as well as the pomp surrounding the anthem — including the induction of running back Terrell Davis into the Broncos' Ring of Fame. After the anthem, Murphy is shown being congratulated by Broncos nose tackle Domata Peko, who also tells Murphy he enjoyed seeing Disney's Aladdin on Broadway.

    Tickets to the show's upcoming visit to Denver now on sale. Video by DCPA Video Producer David Lenk for the DCPA NewsCenter. Anthem footage provided by Denver Broncos.

    More Colorado theatre coverage on the DCPA NewsCenter

     

    Disney’s AladdinDisney's Aladdin: Ticket information
    From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It’s an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite. Directed and choreographed by Tony Award winner Casey Nicholaw (The Book of Mormon, Something Rotten!),with sets, costumes and lighting from Tony Award winners Bob Crowley (Mary Poppins), Gregg Barnes (Kinky Boots) and Natasha Katz (An American in Paris).

    • National touring production
    • Performances April 7-28
    • Buell Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here

    Aladdin Photo by Deen van Meer National touring production of Disney's 'Aladdin.' Photo by Dean van Meer.
  • Video, photos: Your first look at 'First Date'

    by John Moore | Nov 16, 2017

    Video by David Lenk.

    Here is your first chance to see video and photos from the new musical comedy opening Friday at the Galleria Theatre

    Here is your first look in video (above) and photos (below) at the Denver Center for the Performing Arts' new staging of First Date, opening Friday, Nov. 17,  and running through April 22, 2018, in The Garner Galleria Theatre.

    When blind-date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a comically high-stakes dinner. As the date unfolds in real time, the couple quickly finds they are not alone on this unpredictable evening.

    The director is Ray Roderick, and the all-local cast includes Adriane Leigh Robinson, Seth Dhonau, Steven J. Burge, Aaron Vega, Jordan Leigh, Lauren Shealy, Barret Harper and Cashelle Butler. (Vega plays the "Man 2" role from Nov. 11-Dec. 3. Leigh plays Man 2 from Dec. 5-April 22.)

    The Denver Center for the Performing Arts has announced that it is dedicating the opening performance and the entire run of First Date, opening Friday, as well as the entire run of A Christmas Carol, to Daniel Langhoff, who died last week from cancer. Read more here.

    Meet the cast: More fun to read than any dating profile!


    Full photo gallery: First Date production photos


    First Date

    Photos from the making of 'First Date.' To see more, click on the image above to be taken to our full gallery of photos. Photos by Emily Lozow for the DCPA NewsCenter.


    First Date: Ticket information
    First DateNov. 11, 2017, through through April 22, 2018
    Tickets : Call 303-893-4100 or BUY ONLINE
    Garner Galleria Theatre

    The book is written by by Austin Winberg. Music and Lyrics by Alan Zachary and Michael Weiner. Orchestrations by August Eriksmoen. Vocal and Incidental Music Arrangements by Dominick Amendum.

    More Colorado theatre coverage on the DCPA NewsCenter

  • 'Smart People': First-look video, Opening Night photos

    by John Moore | Oct 25, 2017
    Video:

    Video above: Your first look at the DCPA Theatre Company's Smart People, by Lydia R. Diamond. This acclaimed new play is a biting comedy that follows a quartet of Harvard intellectuals struggling to understand why the lives of so many people – including their own – continue to be undermined by race. The cast includes, below from left: Jason Veasey,  Esther Chen, Director Nataki Garrett, Tatiana Williams and Timothy McCracken. Smart People runs through Nov. 19 in the Ricketson Theatre. Video by David Lenk for the DCPA NewsCenter.


    Photo gallery: Smart People Opening Night and more:
    Making of 'Smart People'
    Photos above from the making of Smart People, including the Opening Night celebration on Oct. 20, 2017. To see more, hover your cursor over the image above and click the forward arrow that appears. Photos by John Moore for the DCPA NewsCenter.

    More Colorado theatre coverage on the DCPA NewsCenter

    Smart People: Ticket information
    SmartPeople_show_thumbnail_160x160Lydia R. Diamond. This acclaimed new play is a biting comedy that follows a quartet of Harvard intellectuals struggling to understand why the lives of so many people – including their own – continue to be undermined by race. No matter how hard they research, question and confront the issue, their own problems with self-awareness make it difficult to face the facts of life.

    • Presented by the DCPA Theatre Company
    • Performances through Nov. 19
    • Ricketson Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Previous NewsCenter coverage of Smart People:
    In Smart People, the race is on from the start
    Perspectives: Could racism be filtered out through genetics?
    Cast announced for Smart People: Fresh and familiar
    Photos, story: Smart People opens rehearsals in full swing
  • Video: Ariel Shafir on the new warrior face of 'Macbeth'

    by John Moore | Sep 12, 2017

    'We're getting a taste of where theatre has evolved, and Robert O'Hara is at the finger's edge of all this," Ariel Shafir says of his 'Macbeth' director. Video by John Moore and David Lenk for the DCPA NewsCenter.


    'When you see someone like me playing Macbeth, already you are getting a different energy, look and feel.'


    By John Moore
    Senior Arts Journalist

    Actor Ariel Shafir is well aware that when most people imagine the face of Shakespeare’s Macbeth, they likely conjure a face like, say, Patrick Stewart’s or Kelsey Grammer’s as the great killer Scot. “It’s usually some 60-year-old, very WASPy looking guy,” Shafir said with a laugh.

    Ariel ShafirBut nevertheless, the decidedly younger Shafir is preparing to play the iconic embodiment of bloodthirsty ambition for the DCPA Theatre Company. And he thinks he’s just right for the role.

    “Macbeth is not one of these old generals in some back room,” Shafir said. “He’s on the battlefield. He’s the greatest warrior they have. So when you see someone like me playing Macbeth, you can see how far we are veering from the typical playbook. Already you are getting a different energy, a different look, a different feel for Macbeth.”

    Director Robert O’Hara is telling the tale of Macbeth from the point of view of a coven of shamanic warlocks. In his world, these warlocks are getting together years later and performing the story of Macbeth as a kind of passion play.

    There are purists who believe Shakespeare should not be tinkered with, even in concept. Shafir challenges that notion. “It is important to note that this is going to be the exact text Shakespeare wrote,” Shafir said. “But instead of relying on the template of productions past, I think Robert is actually probing deeper into the script and striking much closer to the heart of Shakespeare’s actual play.

     “We are delving into some of the darkest shadows of human psychology, and I think I directors sometimes tiptoe that line. But not Robert. There are so many things in our production that many others don’t ever deal with. There are just so many things about our own shadow selves that we need to embrace, and I think we do.”

    Ariel Shafir. Photo by John MooreThere’s a reason Macbeth remains a popular story after 400 years. Shafir says it’s the same reason we love Halloween and horror movies.

    “What is this darkness in ourselves that we need to embrace in the nighttime so that we can go out and be productive in the daylight hours?” he said.

    “This play is reaching forward in time and, at the same time, reaching back. There will be an interesting tension between the classic Jacobean style, while also having this completely futuristic feel as well. There are so many parts of this play that I think will be illuminated for the first time for people.”

    More Colorado theatre coverage on the DCPA NewsCenter

    Ariel Shafir: At a glance
    At the Denver Center: Debut. Other regional credits: John Proctor in The Crucible (Playmakers Rep), Mercutio in Romeo and Juliet (Chicago Shakespeare), Axel Fersen in Marie Antoinette (Steppenwolf), Uzi in Captors (Huntington), John in A Life in the Theater (Alliance), among many others including most recently Isaac in the China Tour of Disgraced. TV/Film: "Orange is the New Black," "30 Rock," "Army Wives," I Love You ... but I Lied," "M'Larky," "What Happens in Vegas" "Bride Wars" "Don Peyote," "What Happens Next," "Hysterical Psycho." Winner of a Suzi Bass Award, Jeff Award and Barrymore Award.

    Macbeth: Ticket information

    Macbeth_seasonlineup_200x200At a glance: Forget what you know about Shakespeare’s brutal tragedy. Director Robert O’Hara breathes new life (and death) into this raw reimagining for the grand reopening of The Space Theatre. To get what he wants, Macbeth will let nothing stand in his way – not the lives of others or his own well-being. As his obsession takes command of his humanity and his sanity, the death toll rises and his suspicions mount. This ambitious reinvention reminds us that no matter what fate is foretold, the man that chooses to kill must suffer the consequences.
    • Presented by the DCPA Theatre Company
    • First performance Sept. 15, through Oct. 29
    • Space Theatre, Denver Performing Arts Complex
    • Tickets start at $25
    • Call 303-893-4100 or BUY ONLINE
    • Sales to groups of 10 or more click here
    Macbeth: Previous DCPA NewsCenter coverage
    The masculinity of Macbeth
    Macbeth
    at a time when everything is shifting Cast announced for Robert O’Hara’s reimagined Macbeth
    Video, photos: Our coverage of the Space Theatre opening

    Making of Macbeth: Full photo gallery:

    Making of 'Macbeth'

    Photos from the making of Robert O'Hara's 'Macbeth' for the DCPA Theatre Company. To see more, hover your cursor over the image above and click the forward arrow that appears. Photos by John Moore for the DCPA NewsCenter.
  • Video: The 'Frozen' interviews, Part 3: Thomas Schumacher

    by John Moore | Aug 18, 2017

     


    Disney's Thomas Schumacher: 'Frozen is not a musical film. It’s a theatrical musical on film.'

    In advance of the Denver debut of the upcoming new Broadway musical Frozen on Aug. 17, we present you with this series of interviews with members of the cast and creative team.

    Thomas-Schumacher-denver-center_frozen_photo-by-jenny-andersonPart 3: Thomas Schumacher, President and Producer of Disney Theatrical Productions, who talks about his company’s special relationship with the city of Denver, and what makes Frozen the perfect choice for a musical stage adaptation.

    “At its core, Frozen is not a musical film. It’s a theatrical musical on film,” Schumacher said. “The characters tell the stories with their songs. The songs turn the corner for the story action. Music propels it forward. And that’s why it wants to be on the stage.”

    Interview by Senior Arts Journalist John Moore. Video by DCPA Video Producer David Lenk. Frozen plays in Denver through Oct. 1.

    (Pictured above from left: Director Michael Grandage, Thomas Schumacher and Scenic and Costume Designer Christopher Oram. Photo by Jenny Anderson.)

    The full Frozen video series:
    Part 1: Caissie Levy and Patti Murin
    Part 2: Director Michael Grandage
    Part 3: Thomas Schumacher, President and Producer of Disney Theatrical Productions
    Part 4: Choreographer Rob Ashford

    Frozen: Ticket information

    FrozenAt a glance: From Disney, the producer of The Lion King, Mary Poppins and Beauty and the Beast comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Be among the first to see this highly anticipated new musical before it makes its Broadway debut. This Broadway-bound Frozen, a full-length stage work told in two acts, is the first and only incarnation of the tale that expands upon and deepens its indelible plot and themes through new songs and story material from the film’s creators.  Like the Disney Theatrical Broadway musicals that have come before it, it is a full evening of theatre and is expected to run 2 1/2 hours.
    • Presented by Disney Theatrical Production
    • Aug. 17-Oct. 1
    • Buell Theatre, Denver Performing Arts Complex
    • Single tickets are onsale now. Tickets start at $25, with a limit of eight tickets per account
    • Call 303-893-4100 or BUY NOW
    • Sales to groups of 10 or more click here

    Photo gallery: Making of Frozen

    Frozen
    'Frozen' photo gallery in Denver. To see more, click the forward arrow on the image above. Rehearsal photos by Jenny Anderson.

    Previous NewsCenter coverage of Frozen
    Our exclusive first interview with Caissie Levy, Patti Murin
    Frozen performance added for Friday, Aug. 18
    Don't get scammed buying your Frozen tickets
    Video: Your first look at Frozen in Denver
    Principal casting announced: Caissie Levy to star as Elsa
    Meet the entire cast of Frozen
    Denver Frozen tickets go on sale May 1
    Disney confirms director Michael Grandage
    Denver dates for Frozen announced
    2016-17 Broadway season to include pre-Broadway Frozen

    More Colorado theatre coverage on the DCPA NewsCenter


  • Video: The 'Frozen' interviews, Part 4: Choreographer Rob Ashford

    by John Moore | Aug 16, 2017

     


    The choreographer calls the new Broadway musical's mingling of old and new songs 'seamless'

    In advance of the Denver debut of the upcoming new Broadway musical Frozen on Aug. 17, we present you with this series of interviews with members of the cast and creative team.

    Travis Patton, Rob Ashford & James Brown III Photo by Jenny AndersonPart 4: Choreographer Rob Ashford, who says the mingling of old and new songs is surprisingly seamless. "When I first heard all the new music, I was like, ‘Is that a new song? I’m not sure.’ Because they all feel like they could have absolutely been in the film."

    Ashford says he had something of a blank slate because there is not much dancing in the animated source film. He's points to the Coronation Ball as an example of a scene he thinks the movement really works. "Anna sees Elsa across the room and she is thrilled to see her sister again, but doesn’t know how to approach her," said Ashford," and so all of those things are done through dance." He calls choreographing Frozen "a joy and a privilege."

    Interview by Senior Arts Journalist John Moore. Video by DCPA Video Producer David Lenk. Frozen plays in Denver through Oct. 1.

    (Pictured above, from left: Travis Patton, Rob Ashford and James Brown III. Photo by Jenny Anderson.)

    The full Frozen video series:
    Part 1: Caissie Levy and Patti Murin
    Part 2: Director Michael Grandage
    Part 3: Thomas Schumacher, President and Producer of Disney Theatrical Productions
    Part 4: Choreographer Rob Ashford

    Frozen: Ticket information

    FrozenAt a glance: From Disney, the producer of The Lion King, Mary Poppins and Beauty and the Beast comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Be among the first to see this highly anticipated new musical before it makes its Broadway debut. This Broadway-bound Frozen, a full-length stage work told in two acts, is the first and only incarnation of the tale that expands upon and deepens its indelible plot and themes through new songs and story material from the film’s creators.  Like the Disney Theatrical Broadway musicals that have come before it, it is a full evening of theatre and is expected to run 2 1/2 hours.
    • Presented by Disney Theatrical Productions
    • Aug. 17-Oct. 1
    • Buell Theatre, Denver Performing Arts Complex
    • Single tickets are onsale now. Tickets start at $25, with a limit of eight tickets per account
    • Call 303-893-4100 or BUY NOW
    • Sales to groups of 10 or more click here

    Photo gallery: Making of Frozen

    Frozen
    'Frozen' photo gallery in Denver. To see more, click the forward arrow on the image above. Rehearsal photos by Jenny Anderson.

    Previous NewsCenter coverage of Frozen
    Our exclusive first interview with Caissie Levy, Patti Murin
    Frozen performance added for Friday, Aug. 18
    Don't get scammed buying your Frozen tickets
    Video: Your first look at Frozen in Denver
    Principal casting announced: Caissie Levy to star as Elsa
    Meet the entire cast of Frozen
    Denver Frozen tickets go on sale May 1
    Disney confirms director Michael Grandage
    Denver dates for Frozen announced
    2016-17 Broadway season to include pre-Broadway Frozen

    More Colorado theatre coverage on the DCPA NewsCenter


  • Video: The 'Frozen' interviews, Part 2: Director Michael Grandage

    by John Moore | Aug 13, 2017

     


    Frozen director: 'The vision is to honor the film but at the same time give it its own identity.'

    In advance of the Denver debut of the upcoming new Broadway musical Frozen on Aug. 17, we present you with this series of interviews with members of the cast and creative team. Second up: Director Michael Grandage.  

    Frozen Michael Grandage "The vision is to honor the film but at the same time give it its own identity. We can do a lot onstage that you can’t do otherwise," Grandage says. 

    As for his own hopes for the audience, he added: "I’ve always found that if you can have your life changed just a little bit by watching theatre, and it can really make a difference in your life, then I think we have done our job. I hope Frozen does that.  

    Interviews by Senior Arts Journalist John Moore. Video by DCPA Video Producer David Lenk. Frozen plays in Denver through Oct. 1.

    Pictured above from left: Patti Murin, Michael Grandage and Caissie Levy. Photo by Jenny Anderson.

    The full Frozen video series:
    Part 1: Caissie Levy and Patti Murin
    Part 2: Director Michael Grandage
    Part 3: Thomas Schumacher, President and Producer of Disney Theatrical Productions
    Part 4: Choreographer Rob Ashford

    Frozen: Ticket information

    FrozenAt a glance: From Disney, the producer of The Lion King, Mary Poppins and Beauty and the Beast comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Be among the first to see this highly anticipated new musical before it makes its Broadway debut. This Broadway-bound Frozen, a full-length stage work told in two acts, is the first and only incarnation of the tale that expands upon and deepens its indelible plot and themes through new songs and story material from the film’s creators.  Like the Disney Theatrical Broadway musicals that have come before it, it is a full evening of theatre and is expected to run 2 1/2 hours.
    • Presented by Disney Theatrical Productions
    • Aug. 17-Oct. 1
    • Buell Theatre, Denver Performing Arts Complex
    • Single tickets are onsale now. Tickets start at $25, with a limit of eight tickets per account
    • Call 303-893-4100 or BUY NOW
    • Sales to groups of 10 or more click here

    Photo gallery: Making of Frozen

    Frozen
    'Frozen' photo gallery in Denver. To see more, click the forward arrow on the image above. Rehearsal photos by Jenny Anderson.

    Previous NewsCenter coverage of Frozen
    Our exclusive first interview with Caissie Levy, Patti Murin
    Frozen performance added for Friday, Aug. 18
    Don't get scammed buying your Frozen tickets
    Video: Your first look at Frozen in Denver
    Principal casting announced: Caissie Levy to star as Elsa
    Meet the entire cast of Frozen
    Denver Frozen tickets go on sale May 1
    Disney confirms director Michael Grandage
    Denver dates for Frozen announced
    2016-17 Broadway season to include pre-Broadway Frozen

    More Colorado theatre coverage on the DCPA NewsCenter


  • Video: The 'Frozen' interviews, Part 1: Caissie Levy and Patti Murin

    by John Moore | Aug 11, 2017

     


    Frozen stars: 'It's great that this is the city Disney trusts to give them a valid and educated response.'

    In advance of the Denver debut of the upcoming new Broadway musical Frozen on Aug. 17, we present you with this series of interviews with members of thA Frozen. Rehearsale cast and creative team. First up: Caissie Levy (Elsa) and Patti Murin (Anna).  

    Says Levy: "I think you are going to mostly see the show that will arrive on Broadway, but you get to see it first here in Denver, which is cool - and you will know all those insider tweaks that happened. I think that's why we are excited to be here, because this is such a savvy theatregoing city."

    Read more: First interview with Caissie Levy, Patti Murin

    Says Murin: "Any changes that are made between Denver and New York are going to be because of how the Denver audience reacts. And so it's great that this is the city Disney trusts to give them a valid and educated response." 

    Interviews by Senior Arts Journalist John Moore. Video by DCPA Video Producer David Lenk.

    Frozen plays in Denver through Oct. 1.

    The full Frozen video series:
    Part 1: Caissie Levy and Patti Murin
    Part 2: Director Michael Grandage
    Part 3: Thomas Schumacher, President and Producer of Disney Theatrical Productions
    Part 4: Choreographer Rob Ashford

    Frozen: Ticket information

    FrozenAt a glance: From Disney, the producer of The Lion King, Mary Poppins and Beauty and the Beast comes the beloved tale of two sisters torn apart and their journey to find themselves and their way back to each other. Be among the first to see this highly anticipated new musical before it makes its Broadway debut. This Broadway-bound Frozen, a full-length stage work told in two acts, is the first and only incarnation of the tale that expands upon and deepens its indelible plot and themes through new songs and story material from the film’s creators.  Like the Disney Theatrical Broadway musicals that have come before it, it is a full evening of theatre and is expected to run 2 1/2 hours.
    • Presented by Disney Theatrical Productions
    • Aug. 17-Oct. 1
    • Buell Theatre, Denver Performing Arts Complex
    • Single tickets are onsale now. Tickets start at $25, with a limit of eight tickets per account
    • Call 303-893-4100 or BUY NOW
    • Sales to groups of 10 or more click here

    Photo gallery: Making of Frozen

    Frozen
    'Frozen' photo gallery in Denver. To see more, click the forward arrow on the image above. Rehearsal photos by Jenny Anderson.

    Previous NewsCenter coverage of Frozen
    Our exclusive first interview with Caissie Levy, Patti Murin
    Frozen performance added for Friday, Aug. 18
    Don't get scammed buying your Frozen tickets
    Video: Your first look at Frozen in Denver
    Principal casting announced: Caissie Levy to star as Elsa
    Meet the entire cast of Frozen
    Denver Frozen tickets go on sale May 1
    Disney confirms director Michael Grandage
    Denver dates for Frozen announced
    2016-17 Broadway season to include pre-Broadway Frozen

    More Colorado theatre coverage on the DCPA NewsCenter


  • Video: Tournament raises $110,000 for DCPA Education programs

    by John Moore | Jun 23, 2017

    The Denver Center’s annual Randy Weeks Memorial Golf Tournament, held June 16 at Legacy Ridge Golf Course in Westminster, raised a record $110,954 to support the DCPA’s arts in education programs.

    More than 106,000 students of all ages participated in DCPA Education programs around the state last year. Proceeds from the golf tournament help underwrite these important efforts, including:

    • Nearly 22,000 youth benefited from free and reduced-price tickets, matinees for their schools, and special Student Nights.
    • Shakespeare in the Parking Lot toured to 60 schools in 10 different counties, providing more than 9,000 unique interactions with students.
    • DCPA Teaching Artists offered workshops for all 189 schools participating in the annual DPS Shakespeare Festival, which attracted nearly 5,000 to the Denver Performing Arts Complex last month.
    • The Bobby G Awards celebrates achievements in Colorado high-school musical theatre. Trained judges adjudicate more than 40 local high-school musicals, culminating in a Tony Awards-style celebration that advances two local students to the National High School Musical Theatre Awards (The Jimmys) in New York City.
    • DCPA Education administers a year-round one-act playwriting competition to nurture high-school writers. This year, four finalists had their plays presented at the DCPA’s annual Colorado New Play Summit. And earlier this month, two plays were selected for fully staged performances in the Conservatory Theatre.
    • DCPA Education also contributes to workforce development through multiple industry courses, a Career Readiness program and Job Shadow Days.

    Randy Weeks worked from the ground up to become President of the Denver Center for the Performing Arts. He started in the box office as a college student and was named Executive Director of the DCPA’s Broadway division in 1991. He was promoted to president in 2004. As President, welcomed more than 11.6 million guests to the Denver Center until his death in 2014.

    Guests on the video above include DCPA CEO Janice Sinden, President John Ekeberg, Bobby G Awards winner Austin Hand, and golf-tournament event co-chairs Shawn Fowler and Maxwell Bull. Video by DCPA Video Producer David Lenk and intern Avery Anderson.


    Photo gallery: 2017 Randy Weeks Memorial Golf Tournament:

    Randy Weeks Memorial Golf Tournament

    DCPA CEO Janice Sinden gets a lift at the 2017 Randy Weeks Memorial Golf Tournament. To see more photos, click the forward arrow on the image above. Photos by Amanda Tipton. Photos may be downloaded and shared with proper photo credit. 


    Our 2017 Bobby G Awards Video Playlist (so far):
    Road to the Jimmy Awards: Austin Hand performs at the DCPA golf tournament
    Road to the Jimmy Awards: Bobby G Awards winners perform for DCPA Board
    The 2017 Bobby G Awards: The full video recap
    The 2017 Bobby G Awards: Nominated actors medley
    The 2017 Bobby G Awards: Performance Highlights
    The 2017 Bobby G Awards in 60 seconds
    The 2017 Bobby G Awards welcome to all participating schools

    More of our 2017 Bobby G Awards coverage:
    Our complete photo gallery
    Our full Bobby G Awards report: Persistence pays off at Valor Christian
    Video, photos and top quotes from the 2017 Bobby G Awards
    Meet your 2017 Bobby G Awards Outstanding Actress finalists
    Meet your 2017 Bobby G Awards Outstanding Actor finalists
    2016-17 Bobby G Award finalists are announced

    More Colorado theatre coverage on the DCPA NewsCenter


  • 2017 Bobby G Awards: Our complete video coverage

    by John Moore | Jun 08, 2017

    The Denver Center's fifth annual Bobby G Awards celebrated achievement in Colorado high-school theatre on May 25 at the Ellie Caulkins Opera House. The video above follows Colorado's Outstanding Actors Austin Hand and Elleon Dobias to New York City, where they advanced to compete in the National High School Musical Theatre Awards, otherwise known as the Jimmy Awards. There, they took workshops with Broadway creatives and performed at the Minskoff Theatre.

    The video below offers the complete original medley performed by the 10 Outstanding Actor and Actress nominees, as well as 2016 winners Charlotte Movizzo and Curtis Salinger:


    The nominees were:  

  • Chandler Carter, The Scarlett Pimpernel, Chaparral High School
  • Elleon Dobias, Pippin, Valor Christian High School
  • Austin Hand, The Addams Family, Fossil Ridge High School
  • Chantal King, Into the Woods, Niwot High School
  • Gable Kinsman, Pippin, Valor Christian High School
  • Trey Kochevar, Sweeney Todd, Lakewood High School
  • Cameron Marter, Sweeney Todd, Lakewood High School
  • Grace Nolte, The Scarlett Pimpernel, Chaparral High School
  • Asha Romeo, Rent, Boulder High School
  • Jesse Shafroth, Rent, Boulder High School

  • Videos by produced David Lenk for the DCPA NewsCenter.

    Our complete 2017 Bobby G Awards Video Playlist:

    Colorado's Bobby G Award winners at the 2017 Jimmy Awards in New York City
    Road to the Jimmy Awards: Austin Hand performs at the DCPA golf tournament
    Road to the Jimmy Awards: Bobby G Awards winners perform for DCPA Board
    The 2017 Bobby G Awards: The full video recap
    The 2017 Bobby G Awards: Nominated actors medley
    The 2017 Bobby G Awards: Performance Highlights
    The 2017 Bobby G Awards in 60 seconds
    The 2017 Bobby G Awards welcome to all participating schools

     

    More of our 2017 Bobby G Awards coverage:
    Our complete photo gallery
    Our full Bobby G Awards report: Persistence pays off at Valor Christian
    Video, photos and top quotes from the 2017 Bobby G Awards
    Meet your 2017 Bobby G Awards Outstanding Actress finalists
    Meet your 2017 Bobby G Awards Outstanding Actor finalists
    2016-17 Bobby G Award finalists are announced

    More Colorado theatre coverage on the DCPA NewsCenter


    A Bobby G Awards
    From Valor Christian's performance of 'Pippin.'
  • 'Disgraced' and The Denver Muslim Women's Art Collection

    by John Moore | Apr 12, 2017
    Photo gallery: The Denver Muslim Women's Art Collection:

    Muslim Women's Arts Collection

    To see more photos from the exhibit and learn more about the individual artists, click the forward arrow on the image above.


    The Denver Muslim Women's Art Collection is on display in the lobby of the Ricketson Theatre throughout the run of the DCPA Theatre Company's Disgraced, playing through May 7. Here is how the exhibit is described:

     

    American Muslims, with around 3.3 million citizens in the United States, have the most diverse community in the world in terms of ethnicity, sect and variations in practice. To reduce the breadth of their experiences, insight and expression to a single identity is impossible.

    The play Disgraced represents one voice and one perspective. Amir struggles to balance and understand the two worlds that shape the identity of all American Muslims. But his crisis should not stand for everyone.
     
    This exhibit is meant to provide a visual representation of actual American Muslims and to illustrate the fact that some individuals have found strength and beauty in the dichotomy of their backgrounds.
     
    March For Humanity is honored to present to you the Denver Muslim Women's Art Collection: To take you on an inside tour of the creative Muslim community, to provide education and to build understanding between people of all kinds.

    American Muslims, with around 3.3 million citizens in the United States, have the most diverse community in the world in terms of ethnicity, sect and variations in practice. To reduce the breadth of their experiences, insight and expression to a single identity is impossible. 

    The play Disgraced represents one voice and one perspective. Amir struggles to balance and understand the two worlds that shape the identity of all American Muslims. But his crisis should not stand for everyone.
     
    This exhibit is meant to provide a visual representation of actual American Muslims and to illustrate the fact that some individuals have found strength and beauty in the dichotomy of their backgrounds.
     
    March For Humanity is honored to present to you the Denver Muslim Women's Art Collection: To take you on an inside tour of the creative Muslim community, to provide education and to build understanding between people of all kinds.




    Disgraced
    : Ticket information
    DisgracedIn this raw new play, Amir has built the perfect life. But as a high-profile case and his wife’s art show reveal how little his culture is understood, their misconceptions become too much to bear.

    Through May 7
    Ricketson Theatre

    ASL and audio-described performance: 1:30 p.m. April 30

    Tickets: 303-893-4100 or BUY ONLINE

    Previous NewsCenter coverage of Disgraced:
    Photos: Opening night of Disgraced in Denver
    Perspectives: Disgraced is about starting, not finishing, conversations
    Video, photos: Your first look at Theatre Company's Disgraced
    Video: A talk with Disgraced Costume Designer Lex Liang
    Disgraced
    has been known to leave audiences gasping
    Disgraced Director promises to push your (empathy) button
    TED Talk: On the danger of a 'single story'
    Meet the cast: Dorien Makhloghi, who plays Amir

    More Colorado theatre coverage on the DCPA NewsCenter

  • Authentic voices: 2017 student playwriting winners announced

    by John Moore | Apr 11, 2017
    Video: We talked with the four 2017 student playwriting finalists whose plays were read by DCPA actors at the Colorado New Play Summit in February. Video by David Lenk and John Moore for the DCPA NewsCenter. 


    Two student writers will have their one-act plays
    fully staged in public performances in June.

    By John Moore
    Senior Arts Journalist

    The mission of DCPA Education’s annual year-long student playwriting competition is to help high-school writers find and cultivate their authentic voices. And this year, for the first time, it has ultimately chosen to celebrate two.

    The winning plays of the fourth annual Regional High School Playwriting Workshop and Competition are Dear Boy on the Tree, written by Jasmin Hernandez Lozano of Vista Peak Preparatory Academy in Aurora, and Spilt Lava, written by Ryan McCormick of Fort Collins High School. Both plays will be given full productions in June, performed by DCPA Education’s summer teen company.

    Teen Playwriting QuoteBoth plays feature young couples exploring connection in unusual places. In Spilt Lava, a boy and girl float across each other on doors in a world where the floor is made of burning lava. Dear Boy on the Tree is a gender-reversed take on Rapunzel, featuring a boy hiding in a tree who is trapped by his fear until a girl named Willow happens along.

    “At the DCPA, we know it is so important to cultivate young playwrights,” said Director of Education Allison Watrous. “That's what this program is all about.”

    Each fall, DCPA Teaching Artists go out into schools statewide, deliver playwriting workshops and encourage students to write and submit one-act plays for the competition. This year, those Teaching Artists went to 46 high schools and delivered 138 workshops for more than 2,800 students. “We really want to encourage teenagers to tell amazing stories and put their plays out in the world,” Watrous said.  

    This year, 132 one-act plays were received and judged blindly. In January, 10 were named as finalists. Of those, four were chosen to have a workshop and staged reading by DCPA actors at the 2017 Colorado New Play Summit in February. The process mirrors exactly what happens to the four new plays featured by the DCPA Theatre Company at each Summit. “It's really the first time these students have an opportunity to hear the play on its feet with a cast of actors,” Watrous said. “That gives the playwright the opportunity to really fine-tune the play as it moves to its next stage of development.”  

    IStudent Playwriting Ryan McCormickn previous years, one play has been ultimately chosen for a full summer production. This year, competition officials chose to advance both Lozano and McCormick’s scripts to full stagings.

    Lozano, a first-generation American whose parents do not speak English, asked her brothers if she was hallucinating when she read the email telling her she had been named a finalist.

    “I started crying right then and there because it was so emotional,” said Lozano. “Then my mom heard me crying and she said, 'What's happening? What's happening?' I explained everything to her in Spanish and then we all started crying, because we're a family of criers.

    Teen Playwriting Jasmin Hernandez LozanoLozano, who wrote her play in English, was born in a neighborhood “where I had a lot of limits,” she said, “so I would never assume I could win something like this. I don't have a family that has won a lot of awards. So winning this is one step toward getting out of that stereotype that Hispanic people can’t achieve as much as other people.”

    McCormick, now a senior, also was a top-10 finalist his sophomore year. He wrote Spilt Lava in part “because there was a girl I was trying to convince to date me, and she was reluctant,” he said. He credits the DCPA and his teachers for giving him the creative confidence to set his unlikely play on a floor of lava.

    “I've been working on it for a while, so it went through different phases,” he said. “As I got to higher English classes in high school, we started learning about postmodernism and the idea that if everyone believes something, then that is its own reality - and the lava floor is a perfect example of that. I wrote a love story where the floor happens to be lava.”

    Student Playwriting Allison WatrousThe winning plays will be performed back-to-back twice at 1:30 and 7 p.m. on Friday, June 16, in the DCPA’s Conservatory Theatre. Admission is free, and the public is welcome. Both will be directed by actor and published playwright Steven Cole Hughes.

    The other finalists were Parker Bennett of Fossil Ridge High School (Counting in Clay and Jessica Wood of Denver Christian School (Chill Winds). Wood is the first student in the competition's history to advance to the Colorado New Play Summit twice.

    “It was such an amazing experience last year to be able to see my play go through the workshop process and then have a staged reading,” said Wood. “I was so excited to come back and to experience that again. Programs like this just don't exist in very many places.”

    The four finalists each received personal mentoring from a professional playwright at the Summit, culminating in public readings that were attended by their families and friends alongside theatre professionals from all around the country. Last year, Wood was mentored by Lauren Yee, whose play Manford at the Line was developed at the 2017 Summit and will be fully staged as part of the DCPA Theatre Company’s next mainstage season.

    “It was so amazing to be able to meet with someone who actually makes a living from playwriting,” Wood said of Yee. “Just to hear her say, 'Your play was really good' was an incredible feeling for me.”

    Student Playwriting Allison WatrousMcCormick said advancing as far as the Summit was all he could have hoped for. “To come here and just be able to rub shoulders with professionals and just be a part of this whole Summit has been crazy,” he said.

    In addition, each teacher of the four finalists will receive a $250 gift certificate for books, supplies or other teaching tools for their classrooms. And as an added bonus, the DCPA will publish all four of the finalists’ plays.

    “We do that so we can continue to create a volume of the plays each year and to really commemorate this work,” Watrous said. “Now these writers are now all published playwrights, which is very exciting.”

    Some of the 132 participating students may become professional playwrights someday. But the greater goal, Watrous said, is to advance literacy, creativity, writing and communication, which are skills that can help them in all aspects of their adult lives.


    Photo gallery: 2016-17 Student Playwriting

    2017 Student Playwriting

    To see more photos, click the forward arrow on the image above. All photos are downloadable for free and may be used for personal and social purposes with credit. Photos by John Moore for the DCPA NewsCenter.
     

    2017 Regional High-School Playwriting Workshop and Competition Sponsors:
    Robert and Judi Newman/Newman Family Foundation with matching gifts from The Ross Foundation, June Travis and Transamerica.

    Our profiles of all 10 of the 2017 semifinalists:
    Parker Bennett, Fossil Ridge High School
    Corinna Donovan and Walker Carroll, Crested Butte Community School
    Jasmin A. Hernandez Lozano, Vista Peak High School
    Ryan Patrick McCormick, Fort Collins High School
    Abby Meyer and Nic Rhodes, Fossil Ridge High School
    Amelia Middlebrooks, Valor Christian High School
    Samantha Shapard, Overland High School
    Sarah Shapard, Overland High School
    Daniela Villalobo, York International
    Jessica Wood, Denver Christian School
  • Photos: Opening night of 'Disgraced' in Denver

    by John Moore | Apr 10, 2017
    'Disgraced' in Denver

    Photos from opening night of the DCPA Theatre's Company's production of Ayad Akhtar’s celebrated play Disgraced. To see more photos, click the forward arrow on the image above. Scroll through and you will find pictures from throughout the creation of the play here in Denver, dating to the first rehearsal. All photos are directly downlodable from the Denver Center's Flickr account.

    Disgraced is the story of an American-born, Muslim-raised New York corporate attorney and his struggle with assimilation and his conflicted identity. Amir Kapoor has has turned his back on his faith, but is now thriving in post-9/11 Manhattan. The play bluntly asks whether Americans must renounce their “other” cultural identities to gain mainstream acceptance.

    Disgraced. John Moore photo. Our photos include activities before the performance, including a pre-show (non-alcoholic!) cider toast, as well as the post-show discussion from the stage of the Ricketson Theatre (pictured right) with members of the local Muslim community, and the cast celebration afterward in Club Denver.

    The director of Disgraced is Carl Cofield, and the cast includes Benjamin Pelteson, Olivia Gilliatt, Dorien Makhloghi, Christina Sajous and Vandit Bhatt.

    Cofield made an inspirational pre-show speech expressing his admiration for his actors' courage to act. He referenced results of scientific studies that showed the number of people who suffer from the fear of speaking in public is nearly twice as great as the number of people who number who fear death or serious illness.

    He quoted William Ball, from A Sense of Direction: Some Observations on the Art of Directing:

    An actor is a hero. All acting is praiseworthy if for no other reason than that the actor has the courage to walk from the wings to the center of the stage. For his entrance alone, he should be praised. Speaking takes more courage; and speaking in the person of another individual, with a commitment to a belief in that individual's emotional life, is not only praiseworthy; it is awesome. Those of us who have the opportunity to assist the actor, by making his path more smooth, are honored to aid him; and we are grateful for the great gifts he bestows upon us - his creativity, his wit, his humanity, his suffering, his imagination, his energy, and his complete and perfect self."

    Disgraced plays through May 7.

    Photos by John Moore for the DCPA NewsCenter.

    Disgraced. Olivia Gilliatt. Photo by John Moore

    Vandit Bhatt, left, and Olivia Gilliatt after the opening performance of 'Disgraced.' Photo by John Moore.

    Disgraced
    : Ticket information
    DisgracedIn this raw new play, Amir has built the perfect life. But as a high-profile case and his wife’s art show reveal how little his culture is understood, their misconceptions become too much to bear.

    Through May 7
    Ricketson Theatre
    ASL and audio-described performance: 1:30 p.m. April 30

    Tickets: 303-893-4100 or BUY ONLINE

    Previous NewsCenter coverage of Disgraced:
    Perspectives: Disgraced is about starting, not finishing, conversations
    Video, photos: Your first look at Theatre Company's Disgraced
    Video: A talk with Disgraced Costume Designer Lex Liang
    Disgraced
    has been known to leave audiences gasping
    Disgraced Director promises to push your (empathy) button
    TED Talk: On the danger of a 'single story'
    Meet the cast: Dorien Makhloghi, who plays Amir

    Disgraced. Christina Sajous. John Moore photo. Disgraced actor Christina Sajous was surrounded by loving family after the opening performance. Photo by John Moore for the DCPA NewsCenter.
  • Perspectives: 'Disgraced' is about starting, not finishing, conversations

    by John Moore | Apr 07, 2017
    Photo gallery: The making of Disgraced in Denver:

    'Disgraced' in Denver

    Perspectives is a series of public panel discussions held just before the first public performance of each DCPA Theatre Company staging. To see more, click the forward arrow on the image above. Photos by John Moore for the DCPA NewsCenter. 

    Disgraced opens tonight, but
    the conversation is only just beginning.


    By John Moore

    Senior Arts Journalist

    Disgraced
    is the most-produced play in America right now for one very good reason, says actor Vandit Bhatt: “It's a really good play.” If it were not, he surmises, “the DCPA and all those other theatres around the country probably wouldn’t be doing it.”

    But playwright Ayad Akhtar’s provocative, Pulitzer Prize-winning story is one that ultimately - and perhaps intentionally - leaves audiences uncomfortable. And that’s OK, says DCPA Theatre Company Director Carl Cofield. Because he believes a fundamental responsibility of the theatre is to stage plays that sometimes upset us.

    A Disgraced Perspectives 800“Theatre is supposed to lay important questions on the table,” said Cofield, whose production of Disgraced opens tonight in the Ricketson Theatre and runs through May 7. “There is no better place to ask tough questions than in a theatre. “If we're not, then why even bother?”

    As long as the most compelling question audiences walk away asking is not something so banal as: “Do they validate parking?”

    "The Greeks asked big questions about how you deal with love, grief and treachery,” Cofield said at Perspectives, a series of public panel discussions held just before the first public performance of each Theatre Company offering. “Shakespeare asked big questions that we continue to grapple with to this day. So did August Wilson. Theatres are a safe space where we can all come together and devote our attention to one story for 90 minutes and hopefully leave asking questions about ourselves, and about what we just experienced together.”

    Disgraced is the story of an American-born, Muslim-raised New York corporate lawyer and his struggle with his conflicted identity. Amir has rejected Islam and wholly embraced capitalism while his white wife — an up-and-coming New York artist — sees the beauty and wisdom in the Islamic tradition. The play bluntly asks whether Americans must renounce their “other” cultural identities to gain mainstream acceptance.

    A Disgraced Perspectives QuoteBut Akhtar’s play comes along at a highly charged and polarizing time in America, especially given the President’s pledge to ban some foreign Muslims from entering the United States.

    “We are spending more and more time on our telephones and devices these days,” Cofield said. “We get into our vehicles and we drive to our subdivisions where everybody looks just like us and talks just like us. We don't have conversations with people who think differently from us. We just yell and scream over one another.”

    Most important, said Dramaturg Heidi Schmidt: “This play is about starting a conversation. It's not about finishing one.”

    Toward that end, and for the first time in the nearly 40-year history of the Theatre Company, there will be moderated talkbacks following every performance of Disgraced led by rotating members of the local academic community.

    “Some of these conversations might be uncomfortable,” Cofield said. “But important conversations are sometimes uncomfortable. And when we get to the other side of them, we're better for having them than pretending the question does not exist.”

    For Cofield and Schmidt, the conversation began months before the play even began rehearsals. “When I signed on to do this piece, it was explicitly important to me that we actively seek out members of the local Muslim and Islamic faith and culture, invite them into our theatre and how we can start a dialogue,” Cofield said. “How can we talk about this play and this experience together?” 

    More Colorado theatre coverage on the DCPA NewsCenter

    Disgraced Lighting Designer Richard Devin, who was the longtime Artistic Director for the famed Colorado Shakespeare Festival in Boulder, said he thinks it is important for the Denver Center to stick its neck out and offer audiences stories that will challenge them. “This is a play audiences want to stick around afterward and talk about,” Devin said. “They want to work through some things.”

    Disgraced Perspectives Vandit BhattWhile the playwright wrote Disgraced through the veil of Islam, "he could have told it through many other veils," said Bhatt. "A lot of times it is looked at as a Muslim play, but the genius of it is that it's really about a fractured person, and that's what makes it universal and relatable."

    At the end of the very first talkback, following the first public preview performance of the play on March 30, a Muslim man made the point that the protagonist of the play was but one man and not a representative of the world’s 1.8 billion Muslims. As this same man was exiting the theatre, another audience member stopped him and asked if he wished they Denver Center were not presenting the play at all.

    "I am not at all against the play,” he responded, “because it will spark a conversation like the one we had it tonight after the play. And we need that."

    Actor Christina Sajous said the play is really much more than one man’s story. It addresses larger universal issues of humanity, violence and our common humanity – for starters.

    “One of the biggest diseases in our world is racism,” Sajous said, “and if we don't address it head-on, then we can never fix it. So why not address it through the story of Disgraced? We want things to be different but it has to start with us.”

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.


    Disgraced
    : Ticket information
    DisgracedIn this raw new play, Amir has built the perfect life. But as a high-profile case and his wife’s art show reveal how little his culture is understood, their misconceptions become too much to bear.
    Through May 7
    Ricketson Theatre

    ASL and audio-described performance: 1:30 p.m. April 30

    Tickets: 303-893-4100 or BUY ONLINE

    Previous NewsCenter coverage of Disgraced:
    Perspectives: Disgraced is about starting, not finishing, conversations
    Video, photos: Your first look at Theatre Company's Disgraced
    Video: A talk with Disgraced Costume Designer Lex Liang
    Disgraced has been known to leave audiences gasping
    Disgraced Director promises to push your (empathy) button
    TED Talk: On the danger of a 'single story'
    Meet the cast: Dorien Makhloghi, who plays Amir

  • Video: A talk with 'Disgraced' Costume Designer Lex Liang

    by John Moore | Apr 06, 2017

    Video above by Video Producer David Lenk for the DCPA NewsCenter. Interview by Senior Arts Journalist John Moore.


    Ayad Akhtar’s celebrated play Disgraced is a controversial cultural study of an American, Muslim-raised corporate lawyer who has rejected Islam and embraced capitalism. What's not controversial is the work of Costume Designer Lex Liang, who helps bring out core character traits with clothing choices that reveal backgrounds, income and interests at a glance.

    "Amir is an individual who is desperately trying to fit into a world where society does not feel he belongs," says Liang, who works with LDC Design. You should be able to see that, he believes, just by looking at the suit worn by actor Dorien Makhloghi.

    The DCPA Theatre Company presents Disgraced through May 7 in the Ricketson Theatre. The Director is Carl Cofield, and the cast includes Benjamin Pelteson, Olivia Gilliatt, Dorien Makhloghi, Christina Sajous and Vandit Bhatt.

    Lex Liang
    'Disgraced' Costume Designer Lex Liang. Photo by John Moore for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter


    Disgraced
    : Ticket information
    DisgracedIn this raw new play, Amir has built the perfect life. But as a high-profile case and his wife’s art show reveal how little his culture is understood, their misconceptions become too much to bear.
    Through May 7
    Ricketson Theatre

    ASL and audio-described performance: 1:30 p.m. April 30

    Tickets: 303-893-4100 or BUY ONLINE

    Previous NewsCenter coverage of Disgraced:
    Perspectives: Disgraced is about starting, not finishing, conversations
    Video, photos: Your first look at Theatre Company's Disgraced
    Video: A talk with Disgraced Costume Designer Lex Liang
    Disgraced has been known to leave audiences gasping
    Disgraced Director promises to push your (empathy) button
    TED Talk: On the danger of a 'single story'
    Meet the cast: Dorien Makhloghi, who plays Amir

  • Video, photos: Your first look at DCPA's 'Disgraced'

    by John Moore | Apr 05, 2017

    Video above by David Lenk for the DCPA NewsCenter.


    Ayad Akhtar’s celebrated play Disgraced is a controversial look at assimilation in contemporary America.

    Disgraced. Olivia Gilliatt, Dorien Makhloghi. By Adams ViscomThe story follows an American, Muslim-raised corporate lawyer who has rejected Islam and embraced capitalism while his white wife — an up-and-coming New York painter — sees the beauty and wisdom in the Islamic tradition.

    The play asks: Must Americans renounce their “other” cultural identities to gain mainstream acceptance in the U.S.?

    The Director is Carl Cofield, and the cast includes Benjamin Pelteson, Olivia Gilliatt, Dorien Makhloghi, Christina Sajous and Vandit Bhatt.

    (Pictured at right: Olivia Gilliatt and Dorien Makhloghi by Adams VisCom.)

    Photo gallery: DCPA Theatre Company's Disgraced

    Disgraced- 2016-17 Theatre Company Season
    To see more, click the arrow on the image above. Photos by Adams VisCom for the DCPA NewsCenter. 

    More Colorado theatre coverage on the DCPA NewsCenter


    Disgraced
    : Ticket information
    DisgracedIn this raw new play, Amir has built the perfect life. But as a high-profile case and his wife’s art show reveal how little his culture is understood, their misconceptions become too much to bear.

    Through May 7
    Ricketson Theatre

    ASL and audio-described performance: 1:30 p.m. April 30
    Tickets: 303-893-4100 or BUY ONLINE

    Previous NewsCenter coverage of Disgraced:
    Perspectives: Disgraced is about starting, not finishing, conversations
    Video, photos: Your first look at Theatre Company's Disgraced
    Video: A talk with Disgraced Costume Designer Lex Liang
    Disgraced has been known to leave audiences gasping
    Disgraced Director promises to push your (empathy) button
    TED Talk: On the danger of a 'single story'
    Meet the cast: Dorien Makhloghi, who plays Amir

  • Video: Tap master Savion Glover on America's call to arts

    by John Moore | Mar 14, 2017


    Video by DCPA Video Producer David Lenk. Interview by John Moore for the DCPA NewsCenter. 


    Savion Glover on the importance of arts education, listening to your elders and 'the best show ever in Denver'

    Virtuosic tap dancer and choreographer Savion Glover simply wasn't like other kids. He started dancing at 7 and was cast as Broadway's Tap Dance Kid at the tender age of 12. "But I was never braggadocios about it,” he says now, 31 years later. “I don't ever walk around saying, 'Oh I have a special gift.’ ” Glover sees his ability to dance as a gift that was given to him, much like a pair of socks on Christmas. But simply having a gift doesn’t make you special, he insists. Because every kid has his own pair of socks. It’s what you do with those socks that's your responsibility.

    "We all have a talent, and no matter what it is or where we are, whether it's on Broadway or the inner city ... it's our duty to continue to express that talent,” Glover told the DCPA NewsCenter just before his headlining performance before 800 helped raised a record $1 million for DCPA Education programs at the annual Saturday Night Alive benefit on March 4 at the Stage Theatre.

    Savion Glover. Photo by John Moore“I believe that once we learn how to express ourselves, whether through dance, art, writing, painting, construction or whatever … we find our voice. And once we are heard through our artistic expression, we are better understood,” he said. “Someone might be able to draw a painting that might express who they really are better than one might be able to articulate with words.”

    Glover is best known for works like Jelly's Last Jam and Bring in 'da Noise/Bring in ‘da Funk, which won him a Tony Award for Best Choreography. He was nominated again last summer for his work on Shuffle Along . He has been featured on the TV dance shows So You Think You Can Dance and Dancing with the Stars.

    Arts education is a continuing passion for both Glover and the Denver Center. The DCPA’s extensive educational programs reached more than 105,000 students last year. Glover, 42, established the HooFeRzCLuB School for Tap, and regularly visits schools across the country to spread his enthusiasm for dance and arts education. He was known to millions of Sesame Street fans for his appearances from 1990–95.

    Glover, who was born in New Jersey, was taught by tap legend Gregory Hines, who once said, "Savion is possibly the best tap dancer who ever lived." Glover calls his style "young and funk." When asked to describe what funk is, he says in his biography: "Funk is anything that gets one's head on beat. It is riding with the rhythm. It is a pulse that keeps one rolling with the beat."

    Here’s more of Glover’s conversation with DCPA Senior Arts Journalist John Moore: (Story continues below photos.)

    Photo gallery: Savion Glover's Busy Day in Denver:

    Savion Glover in Denver The photo gallery above includes highlights from Savion Glover's performance and master class. To see more, just click the forward arrow on the image above. Photos by John Moore for the DCPA NewsCenter.

    John Moore: Your performance is going to help raise $1 million for education programs here at the DCPA. Why was it important for you to be here?

    Savion Glover: Once the schools started to eliminate arts funding, I made it a part of my journey to advocate for the arts. In many states, they are quickly eliminating arts programs. That's unfortunate because, in my opinion, the arts fuel the entire education system. The more kids are able to express themselves, the more we adults, educators and teachers are able to see what the future will hold.

    John Moore: How important then is it that there are places like the Denver Center to help fill the gap?

    Savion Glover QuoteSavion Glover: I honor and applaud organizations like this one, as well as individual educators who have stepped up because we do have a void to fill. Establishments like the Denver Center realize there is a need for arts in education to continue. I look forward to coming to venues like this where they realize the importance of self-expression and the importance of allowing children to know that it's still OK to express yourself in an artistic way.

    John Moore: This morning you taught a master class for wide range of dance students. Why was it important for you to fit that into your limited schedule here in Denver?

    Savion Glover: I love teaching the kids because when I teach, I learn myself. I look at the kids as the teachers. Little do they know ….

    John Moore: What was it like for you growing up in New Jersey?

    Savion Glover: I grew up in a house where you could taste the love in the food. Then you go somewhere else and you go, "There is no love in this food."

    John Moore: You aren’t like, well, many other kids. You were already on Broadway at age 12. So how do you relate to kids today who don't yet know what they want to be?

    Savion Glover: To be on Broadway was not a part of my plan. I started dancing when I was 7 years old and one thing led to another. I was playing in a band, and then my mom signed up myself and my two older brothers for tap classes. It was just something to do. After a year or so of classes, I got an audition. Once I got cast, my life began to change. Then I began to travel, and I met many wonderful men and women like Jimmy Slyde, Lon Chaney, Gregory Hines, all of these great contributors who later would become my mentors and educators and great friends. I have dedicated my life to them and their contributions to the art, and to humanity.

    John Moore: How important is it for young dancers to have mentors?

    Savion Glover: It is very important to have what I would call a human resource. We live in an era of technology. You need someone to confide in who will give you honest criticism. I have turned to older people. My mentors were 70 and 80 years old, and I just dug them so much as people. If there is someone available to tell you a story about what happened in the 1950s, and you hear it right from that person’s mouth, and you can feel that energy and their emotion, that might better allow you to express that story yourself. I am happy with the progress of technology, but there is nothing like hearing a story from someone who was there.     

    John Moore: You told your students today, “If you can imagine it, you can express it.” How do you teach a kid to do that?

    Savion Glover: I think there is a muscle that allows us to express what we see - we just have to be able to communicate what that is. My son is 12 years old, and he can draw these pictures through animation. I'm no artist in that way, but he just sees it in his mind, and he brings it to life. I believe we all have that ability. We can't all draw, but we all should be able to articulate what we can imagine in our own way, whether that is through dance, music, writing or other art forms.  

    More Colorado theatre coverage on the DCPA NewsCenter

    John Moore: Congratulations on your latest Tony Award, for Shuffle Along. What was that experience like for you?

    Savion Glover: My time in Shuffle Along was one of my greatest experiences. (Director) George C. Wolfe is a genius. I respect him as a man and as an artist. He is one of the smartest human beings I know. He knows everything, and I am the type of person where if there is an opportunity to learn, I am going to take full advantage of that. I also had a ball just being a choreographer, and bringing the stories of these men and women to life who you would never know about if not for our version of Shuffle Along.  

    John Moore: So what’s next for you?

    Savion Glover: I continue to search and hone in on my craft. I have a mission. I am on a journey to continue what I do, and I am thankful for that.

    John Moore: Your show here at the Denver Center has been sold out for weeks. So for those people who can't get in, what kind of a show will you be putting on tonight?

    Savion Glover: For those of you who can't get in tonight, well, this is unfortunate. Because this is going to be the best show ever in Denver. You're just going to have to read about it, ask about it and wish that you were here. I can’t tell you how it’s going to start. I can't tell you how it's going to end. But when you hear about it, you are just going to say, "Oh, man."  

    John Moore was named one of the 12 most influential theater critics in the U.S by American Theatre Magazine in 2011. He has since taken a groundbreaking position as the Denver Center's Senior Arts Journalist.


    Savion Glover. Photo by John Moore
    Photo by John Moore for the DCPA NewsCenter.

    Previous NewsCenter coverage of Saturday Night Alive:
    Savion Glover to headline DCPA's Saturday Night Alive
    Photos: Saturday Night Alive 2017


    The Presenting Sponsor of the 2017 Saturday Night Alive was BMW of Downtown Denver. Platinum Sponsors were the Salah Foundation and United Airlines. Emerald Sponsors were the Colorado Oil and Gas Industry, HealthOne, The Westin Hotel Denver. Gold Sponsors were Always Best Care Senior Services, Epicurean Catering, Kathie and Keith Finger, u.s. bank, Colorado State Bank and Trust, The Tuchman Family Foundation and Triptyk Studios. The Surprise Box Sponsor was Kendra Scott. The 2017 Event Chairs were L. Roger and Meredith Hutson.
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    ABOUT THE EDITOR
    John Moore
    John Moore
    Award-winning arts journalist John Moore has recently taken a groundbreaking new position as the DCPA’s Senior Arts Journalist. With The Denver Post, he was named one of the 12 most influential theater critics in the US by American Theatre Magazine. He is the founder of the Denver Actors Fund, a nonprofit that raises money for local artists in medical need. John is a native of Arvada and attended Regis Jesuit High School and the University of Colorado at Boulder. Follow him on Twitter @moorejohn.

    DCPA is the nation’s largest not-for-profit theatre organization dedicated to creating unforgettable shared experiences through beloved Broadway musicals, world-class plays, educational programs and inspired events. We think of theatre as a spark of life — a special occasion that’s exciting, powerful and fun. Join us today and we promise an experience you won't soon forget.